John Walker, Scott Walker's 'Ham Hocks' had a release date set for July 1, 1966. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Ham Hocks's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Walker, Scott Walker's "I Only Came To Dance With You" album is number 3 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Ham Hocks is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ham Hocks by John Walker, Scott Walker to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Sketches for Pedal-Piano, Op. 58: No. 4, Sketch in D-Flat Major | Robert Schumann, John Walker | B Major | 1 | 1B | 73 BPM | ||
| Adoration | Florence Beatrice Price, Alan Morrison | D Major | 0 | 10B | 75 BPM | ||
| The Rite of Spring, Part 1: I. Adoration of the Earth | Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D Major | 0 | 10B | 79 BPM | ||
| Kleine Dreigroschenmusik: VI. Tango-Ballade | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 6 | 12A | 122 BPM | ||
| Horn Concertino in E Minor, Op. 45, J. 188: I. Adagio - Andante | Carl Maria von Weber, Czech Philharmonic, Václav Neumann, Zdeněk Tylšar | E Major | 0 | 12B | 85 BPM | ||
| Greens | John Walker, Scott Walker | F♯ Major | 9 | 2B | 127 BPM | ||
| Copland: Suite from Appalachian Spring: VII. Variations on a Shaker Hymn. Doppio movimento (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
| Dextera Domini, FWV 65 (Sung in English) [Version for Choir & Organ] | César Franck, Elizabeth Ann Keen, Choir of Shadyside Presbyterian Church, Pittsburgh, Pennsylvania, John Walker | A♭ Major | 1 | 4B | 109 BPM | ||
| Slow Burning | John Walker | D Major | 5 | 10B | 160 BPM | ||
| Symphonie-Passion, Op. 23: IV. Résurrection sur "Adoro te devote" | Marcel Dupré, John Walker | C Major | 1 | 8B | 81 BPM | ||
| To Lizbie Brown, Op.15, No.7 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 73 BPM | ||
| Liturgy of St. John Chrysostom, Op. 31: No. 16, Praise Ye the Lord from Heaven | Sergei Rachmaninoff, Chancel Choir of Shadyside Presbyterian Church Pittsburgh, John Walker | B♭ Minor | 0 | 3A | 126 BPM | ||
| Stamitz, C : Flute Concerto in G Major, Op. 29: I. Allegro | Carl Stamitz, Jean-Pierre Rampal, Raymond Leppard, Scottish Chamber Orchestra | C Major | 1 | 8B | 170 BPM | ||
| Petrouchka: Valse la ballerine et le maure | Ferenc Fricsay, Berliner Philharmoniker | F♯ Major | 3 | 2B | 149 BPM | ||
| Etude No. 14 in D | Cyrille Rose, John Walker, Christopher Hill and John Walker | B Major | 1 | 1B | 76 BPM | ||
| Services in G - chorus and organ, Op.81 (1904): Nunc Dimittis | Charles Villiers Stanford, John Walker, Choir of King's College, Cambridge, Hugh Maclean, Boris Ord | G Major | 2 | 9B | 54 BPM | ||
| Golden Dreams | John Walker | C Major | 6 | 8B | 101 BPM | ||
| Roman Festivals: IV. La Befana | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | G Major | 0 | 9B | 127 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| The Firebird Suite (1919 Version): The Princesses' Round - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | B Major | 1 | 1B | 65 BPM | ||
| Nashville | John Walker, Scott Walker | D♭ Major | 9 | 3B | 119 BPM | ||
| Messe à 3 voix, Op. 12, FWV 61: V. Panis angelicus (Sung in Taiwanese) | César Franck, Peter Lee, Choir of Shadyside Presbyterian Church, Pittsburgh, Pennsylvania, John Walker | A Major | 2 | 11B | 83 BPM | ||
| Thema und Variationen, Op. 13 | Franz Strauss, Stefan Dohr, Markus Becker | E♭ Major | 0 | 5B | 68 BPM | ||
| Fountain Reverie | Percy Fletcher, John Walker | A♭ Major | 0 | 4B | 116 BPM | ||
| 2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM |