"Suite for Variety Orchestra No. 1: VII. Waltz II (Transcr. for Chamber Orchestra)" by Dmitri Shostakovich, Daniel Hope, Zürcher Kammerorchester had its release date on February 2, 2024. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 42 in Dance! by Daniel Hope, Zürcher Kammerorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Suite for Variety Orchestra No. 1: VII. Waltz II (Transcr. for Chamber Orchestra) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite for Variety Orchestra No. 1: VII. Waltz II (Transcr. for Chamber Orchestra) by Dmitri Shostakovich, Daniel Hope, Zürcher Kammerorchester is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenade For Strings In E Major, Op.22, B.52: 2. Tempo di valse | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | A Major | 1 | 11B | 177 BPM | ||
| Autumn 1 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | F Major | 1 | 7B | 114 BPM | ||
| Peer Gynt, Op. 23: Solveig's Song - Arr. for Violin & String Orchestra by Tormod Tvete Vik | Edvard Grieg, Ragnhild Hemsing, TrondheimSolistene | G Major | 0 | 9B | 130 BPM | ||
| 3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
| The New Four Seasons - Spring: II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | D♭ Minor | 3 | 12A | 95 BPM | ||
| La Traviata / Act 1: Prelude | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | B Major | 0 | 1B | 114 BPM | ||
| Finale | Giovanni Allevi | F Major | 5 | 7B | 67 BPM | ||
| Grieg: Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | E Major | 5 | 12B | 85 BPM | ||
| Variation XII Wanderer | Arash Safaian, Ludwig van Beethoven, Sebastian Knauer, Zürcher Kammerorchester | A Minor | 4 | 8A | 82 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Major | 1 | 7B | 95 BPM | ||
| Peer Gynt, Op. 23: Morning Mood - Arr. for Hardanger Fiddle & String Orchestra by Tormod Tvete Vik | Edvard Grieg, Ragnhild Hemsing, TrondheimSolistene | E Minor | 2 | 9A | 73 BPM | ||
| Beethoven: Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Nemanja Radulović, Double Sens | D Major | 1 | 10B | 139 BPM | ||
| Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin (Arr. Hope and Crawford-Phillips) | Claude Debussy, Daniel Hope, Simon Crawford-Phillips | G Major | 0 | 9B | 61 BPM | ||
| Summer 2 - 2012 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | G Minor | 2 | 6A | 90 BPM | ||
| Codladh an Óigfhir (Transcr. for Violin and Harp) | Traditional, Daniel Hope, Siobhán Armstrong | G Minor | 1 | 6A | 83 BPM | ||
| The Lost Composers (Fortissima) | Rebecca Dale, Raphaela Gromes, Deutsches Symphonie-Orchester Berlin, Anna Rakitina | F Minor | 1 | 4A | 110 BPM | ||
| Paradis: Sicilienne 파라디스 시실리안느 | 김준영 | E♭ Major | 0 | 5B | 137 BPM | ||
| Butterfly Lovers Violin Concerto: IV. Pesante - Più mosso - Duramente | Chen Gang, Zhanhao He, Joshua Bell, Singapore Chinese Orchestra, Tsung Yeh | D Major | 1 | 10B | 76 BPM | ||
| Warsaw Concerto | Richard Addinsell, Valentina Lisitsa, BBC Concert Orchestra, Gavin Sutherland | B Major | 2 | 1B | 64 BPM | ||
| Gestern noch (feat. Daniel Hope) | Götz Alsmann, Daniel Hope | F Minor | 1 | 4A | 174 BPM | ||
| Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
| Farewell to Stromness | Peter Maxwell Davies, Rory Macdonald, Royal Scottish National Orchestra | C Minor | 5 | 5A | 92 BPM | ||
| Souvenir pour Elise (Based on Beethoven's "For Elise") | Janoska Ensemble | B♭ Major | 2 | 6B | 107 BPM | ||
| Theme From "La Forza Del Destino" | Martynas | A Minor | 1 | 8A | 69 BPM | ||
| Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM |