On September 1, 2000, the song "Samsa Firoz Urf Mohabbat Ki Putli" was released by Tara Rani, Geeta Rani, Sona Devi, Shree Bhagwan Sharma, Lakhi Sharma, Shoukat Ali, Ramraj Paswan, Kudrat Sai. This song appears to be safe for all ages as it is not explicit. Since Samsa Firoj Urf Mohabbat Ki Putli only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Samsa Firoz Urf Mohabbat Ki Putli is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Samsa Firoz Urf Mohabbat Ki Putli by Tara Rani, Geeta Rani, Sona Devi, Shree Bhagwan Sharma, Lakhi Sharma, Shoukat Ali, Ramraj Paswan, Kudrat Sai having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swami Samarth Naamacha | Ajit Kadkade | A Major | 7 | 11B | 116 BPM | ||
| Dama Dum Mast | Abida Parveen | C Major | 9 | 8B | 109 BPM | ||
| Aankhen Hi Na Royee | Altaf Raja | F♯ Major | 5 | 2B | 140 BPM | ||
| Halke Se Mara Ke Bade Se Mara Bundeli Geet | JaiSingh Raja | B Minor | 8 | 10A | 78 BPM | ||
| Bhauji Kab Hoyi Mor Gavanwa | Tara Rani | B Minor | 4 | 10A | 172 BPM | ||
| DAR TE AAVENGE TERE SAALON SAAL | Richa Sharma | B♭ Major | 9 | 6B | 102 BPM | ||
| Dosh Mera Dyoun Ki | Satpal Dausa | D♭ Major | 6 | 3B | 95 BPM | ||
| Mitran Ton Reh Bachke | Balkar Ankhila, Manjinder Gulshan | B♭ Minor | 10 | 3A | 120 BPM | ||
| Maanja Noola Uttu | Dolak Jagan | B♭ Major | 9 | 6B | 151 BPM | ||
| Jindgi Me Jahar | Anupama Yadav, Golu Raja | E♭ Minor | 6 | 2A | 85 BPM | ||
| Ek Aankh Marab Hole | Pawan, Pankaj | G Major | 4 | 9B | 185 BPM | ||
| Yede Jindgi Ke Naiye Thikana | Mamta Chandrakar, Sunil Soni | A♭ Major | 9 | 4B | 169 BPM | ||
| Bahe Jab Jab Purwaiya | Guddi Gilahari | F Minor | 7 | 4A | 133 BPM | ||
| Dumka Mein Jhumka | MANOJ TIWARI | D♭ Minor | 5 | 12A | 86 BPM | ||
| Raychand Ji | Ray Chand, Champa Methi | D Minor | 9 | 7A | 110 BPM | ||
| Ha Ha Re Virapur Aavya Re Baba Charno Ma | Indira Shrimali | F Major | 4 | 7B | 78 BPM | ||
| Hola Chumaban - Chumaban | Sharda Sinha | A♭ Major | 9 | 4B | 147 BPM | ||
| Mori Akal Gai Mari | Jaysingh raja, Doli Rajpoot | F♯ Major | 6 | 2B | 82 BPM | ||
| Uthau Suruj Bhaile Bihaan | Sharda Sinha | D♭ Major | 5 | 3B | 78 BPM | ||
| Oh Mere Pyare Bail | Kishore Kumar | E♭ Minor | 5 | 2A | 108 BPM | ||
| Saiya More Gawanwa Lihale Jala | Madan Rai | F♯ Major | 6 | 2B | 110 BPM | ||
| Kaike Gavanwa Bhawanwa Ke Tyageli | Tara Rani | A♭ Major | 5 | 4B | 160 BPM | ||
| Phool Aur Bel Patra | Lakhbir Singh Lakkha | A♭ Minor | 5 | 1A | 154 BPM | ||
| Goga Ji Ki Aarti | Jai Goga Jaharveer Ji | B♭ Minor | 7 | 3A | 130 BPM | ||
| Khkari Chey Sakai Razay | Haroon Bacha | F♯ Major | 8 | 2B | 108 BPM |