Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado's 'Pictures at an Exhibition (Orch. Ravel): Promenade 3' had a release date set for August 14, 2025. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in "Abbado: Baroque & Beyond", so we believe that "Pictures at an Exhibition (Orch. Ravel): Promenade 3" is a single. Pictures at an Exhibition (Orch. Ravel): Promenade 3 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pictures at an Exhibition (Orch. Ravel): Promenade 3 by Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pictures at an Exhibition (Orch. Ravel): II. Il castello vecchio "The Old Castle" - Recorded 1966 | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | C Minor | 1 | 5A | 182 BPM | ||
| Symphony No. 5 in D Minor, Op. 47: II. Allegretto - Live | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | A Minor | 1 | 8A | 64 BPM | ||
| Ruy Blas Overture, Op. 95, MWV P15 | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM | ||
| Symphonic Metamorphoses on Themes of Carl Maria von Weber: I. Allegro | Paul Hindemith, Leonard Bernstein, New York Philharmonic | D Minor | 3 | 7A | 105 BPM | ||
| Concerto For Oboe And Strings: 2. Minuet & Musette | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 88 BPM | ||
| Lyric Suite, Op. 54: I. Gjetergutt (Shepherd Boy): Andante espressivo | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | F Major | 0 | 7B | 82 BPM | ||
| Enigma Variations: Variation XIV. E.D.U - Allegro | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Major | 2 | 9B | 88 BPM | ||
| Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 5, Introduction. Scene | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 3 | 12B | 149 BPM | ||
| Firebird Suite (1919): V. Final Hymne | Igor Stravinsky, Kent Nagano, London Symphony Orchestra | A♭ Minor | 2 | 1A | 128 BPM | ||
| Die Walküre, WWV 86B, Act I: In the Sound Code, We "See" His Loving Gaze | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | G Minor | 0 | 6A | 91 BPM | ||
| Symphony No. 8 in B Minor, D. 759 "Unfinished": II. Andante con moto | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 82 BPM | ||
| Tales of Beatrix Potter: The Tale of Squirrel Nutkin | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden, Orch.Of Royal Opera House Covent Garden | G Major | 2 | 9B | 113 BPM | ||
| Symphony No. 3 in E flat, Op. 97 - "Rhenish": 4. Feierlich | Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini | E♭ Minor | 1 | 2A | 75 BPM | ||
| Montgomery Variations: VI. Lament – Doloroso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | G Minor | 1 | 6A | 106 BPM | ||
| Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": IV. Finale | Sergei Prokofiev, André Previn, London Symphony Orchestra | D Major | 3 | 10B | 77 BPM | ||
| Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento) | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
| Klokkeklang, Op. 54, No. 6 | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | C Major | 0 | 8B | 131 BPM | ||
| Peter Grimes, 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 78 BPM | ||
| Romeo & Juliet: Act I, Scene VI, The Fight | Sergei Prokofiev, Valery Gergiev, London Symphony Orchestra | C Major | 3 | 8B | 147 BPM | ||
| Pictures at an Exhibition: I. Gnomus | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | A♭ Minor | 2 | 1A | 76 BPM | ||
| Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 106 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): Promenade 3 | Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado | B Major | 1 | 1B | 179 BPM | ||
| Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
| Mayskaya noch' (May Night): Overture | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM |