- BPM
- 84
- Key
- A Minor
- Camelot
- 8A
Concerto for Harp & String Orchestra, Op. 267: V. Adagio by Alan Hovhaness, Yolanda Kondonassis, Rudolf Werthen, I Fiamminghi (The Orchestra of Flanders) Song Details
"Concerto for Harp & String Orchestra, Op. 267: V. Adagio" by Alan Hovhaness, Yolanda Kondonassis, Rudolf Werthen, I Fiamminghi (The Orchestra of Flanders) had its release date on November 28, 2000. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Alan Hovhaness, Yolanda Kondonassis's "Music of Hovhaness" album is number 10 out of 21. Concerto for Harp & String Orchestra, Op. 267: V. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Concerto for Harp & String Orchestra, Op. 267: V. Adagio by Alan Hovhaness, Yolanda Kondonassis, Rudolf Werthen, I Fiamminghi (The Orchestra of Flanders) to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Music Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -33.19 dB
- Acousticness
- 92%
- Danceability
- 20%
- Energy
- 1%
- Instrumentalness
- 78%
- Liveness
- 6%
- Loudness
- 45%
- Speechiness
- 4%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Suite No. 3, P. 172: II. Arie Di Corte: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | G Major | 0 | 9B | 79 BPM | |
 | Marcello / Arr. Balsom: Oboe Concerto in C Minor: II. Adagio | Alessandro Marcello, Alison Balsom, Scottish Ensemble | C Minor | 1 | 5A | 61 BPM | |
 | Violin Concerto No. 2, Op. 89a: V. Presto | Alan Hovhaness, Zina Schiff, Salzburg Chamber Soloists, Avlana Eisenberg | F Major | 0 | 7B | 136 BPM | |
 | Pärt: Summa | Arvo Pärt, Renaud Capuçon, Orchestre de Chambre de Lausanne | G Minor | 2 | 6A | 105 BPM | |
 | Serenade for String Orchestra, Op. 11: I. Preludium: Allegro molto | Dag Wirén, Bournemouth Sinfonietta, Richard Studt | C Major | 1 | 8B | 129 BPM | |
 | Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | |
 | 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Felix Froschhammer, Florian Rohn | A Minor | 0 | 8A | 178 BPM | |
 | Gabriel's Oboe - From "The Falls" - Version for Cello & String Orchestra | Ennio Morricone, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | A♭ Minor | 1 | 1A | 51 BPM | |
 | カプリオール組曲: V. Pieds-en-l'air | Peter Warlock, 石田組 | G Major | 1 | 9B | 114 BPM | |
| 2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio | Johan Svendsen, Bournemouth Sinfonietta, Richard Studt | E Minor | 1 | 9A | 92 BPM | |
 | Holberg Suite, Op. 40: IV. Air (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Minor | 0 | 6A | 84 BPM | |
 | 3 Latin American Sketches: Paisaje Mexicano | Aaron Copland, Nashville Chamber Orchestra, Paul Gambill | F♯ Major | 0 | 2B | 70 BPM | |
 | Culinary Harmony | Estoria | A♭ Minor | 1 | 1A | 51 BPM | |
 | El dolor imaginado | Juan Pablo Fernández Ramos | A♭ Minor | 1 | 1A | 51 BPM | |
 | Song of the Birds | Pablo Casals, Boris Andrianov | A Minor | 0 | 8A | 78 BPM | |
 | Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | |
 | Fantaisie sur des motifs de l'opéra "Guillaume Tell" de Rossini (Arr. for 3 Cellos): I. Moderato | Alexandre Batta, Gioachino Rossini, Sol Gabetta, Victor Julien-Laferrière, Luca Magariello | D Major | 5 | 10B | 76 BPM | |
 | Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | |
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | Spartacus: Adagio (arr. J. Galway for flute and piano) | Aram Khachaturian, Kenneth Smith, Paul Rhodes | A Major | 1 | 11B | 91 BPM | |
 | The Lark (arr. for Harp) | Mikhail Glinka, Se Hee Hwang | D♭ Major | 1 | 3B | 69 BPM | |
 | Upon Enchanted Ground, Op. 90 No. 1 | Alan Hovhaness, Yolanda Kondonassis, Herwig Coryn, Frank Hendrickx, Patrick De Smet | A Minor | 1 | 8A | 175 BPM | |
 | Multi-Music Canada for Orchestra: I. Genesis - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | |
 | Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 102 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records