- BPM
- 172
- Key
- C Major
- Camelot
- 8B
The King of Instruments (Japanese): The Manuals by Douglas Reed, Sumiko Murashima, Michael Udow Song Details
"The King of Instruments (Japanese): The Manuals" by Douglas Reed, Sumiko Murashima, Michael Udow had its release date on January 1, 2001. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Douglas Reed, Michael Udow's "In Memoriam William Albright - Albright Organ Music Vol. 1" album is number 2 out of 47. On top of that, United States appears to be the country where this track was created. The popularity of The King of Instruments (Japanese): The Manuals is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
We consider the tempo marking of The King of Instruments (Japanese): The Manuals by Douglas Reed, Sumiko Murashima, Michael Udow to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
Music Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -36.357 dB
- Acousticness
- 98%
- Danceability
- 47%
- Energy
- 1%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 39%
- Speechiness
- 13%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Organ Book III - Volume II: Curio II (trio) | Douglas Reed | E♭ Major | 0 | 5B | 148 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Angela Cheng, Jens Lindemann, CBC Radio Orchestra, Mario Bernardi | C Minor | 0 | 5A | 175 BPM | |
 | Symphony No. 1 in E Major, Op. 26: III. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | |
 | Le tombeau de Couperin, M. 68: I. Prélude - Orchestration by Maurice Ravel, M. 68A/1 | Maurice Ravel, Orchestre National De France, Cristian Măcelaru | D♭ Minor | 3 | 12A | 172 BPM | |
 | Préludes, Book 2, L. 123 (Excerpts): No. 7, La terrasse des audiences du clair de lune | Claude Debussy, Jorge Federico Osorio | F♯ Major | 0 | 2B | 75 BPM | |
 | Le sacre du printemps / Pt. 1: L'Adoration de la terre: VIII. Danse de la terre | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | A♭ Minor | 0 | 1A | 84 BPM | |
 | Symphony No. 5, Op. 64: IVc. Missa brevis. Credo in unum Deum | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F♯ Minor | 1 | 11A | 81 BPM | |
 | A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 64 BPM | |
| Symphony No. 1 in E Major, Op. 26: II. Allegro dramatico | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | |
 | String Quartet No. 14 in F-Sharp Major, Op. 142: I. Allegretto | Dmitri Shostakovich, Cuarteto Casals | A Major | 1 | 11B | 117 BPM | |
 | Summer Night in a Deep Valley | Chia-Yu Hsu, Eric Schultz | A Minor | 1 | 8A | 88 BPM | |
 | Turangalîla-Symphonie: II. Chant d'amour 1 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | |
 | Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | A Major | 1 | 11B | 117 BPM | |
 | To Lizbie Brown, Op.15, No.7 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 73 BPM | |
 | Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D Major | 0 | 10B | 78 BPM | |
 | Samantha Sketches: II. Skyward | Mark Abel, Alice K. Dade, Ieva Jokubaviciute | A Major | 1 | 11B | 117 BPM | |
 | Violin Concerto No. 3: III. Dance. Giocoso. | Joseph Achron, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | A Major | 1 | 11B | 117 BPM | |
| Organ Book III - Volume II: Basse de Trompette | Douglas Reed | C Major | 0 | 8B | 69 BPM | |
 | Four Fancies: Danza Ostinata | William Albright, Douglas Reed | C Major | 0 | 8B | 93 BPM | |
 | Sonata für Oboe Solo: I. Langsam – Beschleunigend | Jürg Wyttenbach, Heinz Holliger | B♭ Minor | 0 | 3A | 77 BPM | |
 | 7 Haikus: II. Assai mosso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | |
 | The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | |
 | Summer Music, Op. 31: II. Lively, Still Faster | Samuel Barber, Ensemble Ouranos | A Major | 1 | 11B | 117 BPM | |
 | Eine Alpensinfonie, Op. 64, TrV 233: XVIII. Stille vor dem Sturm | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | B♭ Major | 3 | 6B | 147 BPM | |
 | Strangers: A Chamber Ballet About Immigration - No. 15, Pt. III. The Commandant and the Stranger (Opening) | Brian Dean Morales, Devin Hinzo, Ian Morin, Kimberly Zaleski, Robert Davis, Torrel Moss, Van Parker | A Major | 1 | 11B | 117 BPM |
- ISRC
- USZYA0610282
- Label
- L-M Records/RCA Records