"String Quartet: II. Main Movement" by Witold Lutosławski, Budapest String Quartet had its release date on April 5, 2019. This song appears to be safe for all ages as it is not explicit. There are a total of 15 in the song's album "Sibelius, Debussy, Ravel & Lutosławski: String Quartets". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Italy. String Quartet: II. Main Movement is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet: II. Main Movement by Witold Lutosławski, Budapest String Quartet having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mathis der Maler Symphony: I. Engelkonzert | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 106 BPM | ||
| Montgomery Variations: I. The Decision – Andante deciso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 0 | 7A | 141 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | D♭ Major | 0 | 3B | 109 BPM | ||
| Szymanowski: Piano Sonata No. 3, Op. 36: II. Adagio. Mesto | Karol Szymanowski, Piotr Anderszewski | E Minor | 0 | 9A | 69 BPM | ||
| Cosmic Journey | Nomad Skies | B Major | 4 | 1B | 123 BPM | ||
| Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | E Major | 2 | 12B | 134 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110 (Arr. for Wind Ensemble by David Walter): I. Largo | Dmitri Shostakovich, Ensemble Ouranos | D♭ Major | 0 | 3B | 109 BPM | ||
| Sinfonietta, JW VI/18: II. The Castle, Brno. Andante – Allegretto | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelík | A♭ Minor | 2 | 1A | 144 BPM | ||
| Lutosławski: Concerto for Orchestra: III. Passacaglia. Andante con moto - Toccata. Allegro giusto - Corale. Poco calmando | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 112 BPM | ||
| Le Tombeau de Couperin, M. 68a: I. Prélude. Vif | Maurice Ravel, Les Siècles, François-Xavier Roth | F♯ Major | 0 | 2B | 74 BPM | ||
| Jūra, MKČ 102: IV. Development, Storm | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Symphony No. 3 in E Flat Major, Op. 90: III. Menuetto. Moderato - Trio I - Trio II | Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen | E♭ Major | 0 | 5B | 174 BPM | ||
| A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 64 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 1, Prelude. Lento, mistico | Edward Elgar, Edward Gardner, London Philharmonic Orchestra | D Major | 2 | 10B | 86 BPM | ||
| Bassoon Scherzo No. 1 in F-Sharp Minor (Original Recording) by Nikolas Eleftheriou | Nikolas Eleftheriou | F♯ Minor | 1 | 11A | 67 BPM | ||
| Jūra, MKČ 102: VII. Coda | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Roussel: String Trio, Op. 58: II. Adagio | Albert Roussel, Trio à cordes de Paris | D♭ Major | 0 | 3B | 109 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Francesco Nicolosi, Rodolfo Bonucci, Andrea Noferini | G Major | 0 | 9B | 88 BPM | ||
| Symphony No. 1, GMW 11: IVc. Sehr langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Roussel: Bacchus et Ariane, Suite No. 2, Op. 43: Le baiser (Andante) | Albert Roussel, Georges Prêtre, Orchestre National De France | D♭ Minor | 1 | 12A | 82 BPM | ||
| Symphonic Variations: III. Adagio - Andante | Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra | F Major | 2 | 7B | 169 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l’Éternité de Jésus | Olivier Messiaen, Louise Bessette, Cameron Crozman | D♭ Major | 0 | 3B | 109 BPM | ||
| Concerto for 2 Pianos and Orchestra: IV. Finale alla Tedesca | Ralph Vaughan Williams, Tal & Groethuysen, Douglas Boyd | D♭ Major | 0 | 3B | 87 BPM |