"Maya Gold" by Mark Neumann had its release date on January 1, 1997. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Tubular Bells II". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Australia. In terms of popularity, Maya Gold is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Maya Gold by Mark Neumann having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: I. Allegro moderato | Sergei Prokofiev, David Oistrakh, Philharmonia Orchestra, Alceo Galliera | B♭ Major | 3 | 6B | 128 BPM | ||
| Sonata in G Minor: I. Grave | Henry Eccles, Takako Nishizaki, Terence Dennis | G Minor | 1 | 6A | 83 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 4 in E Minor: I. Allemande | Eugène Ysaÿe, Hilary Hahn | E Minor | 1 | 9A | 105 BPM | ||
| Miniatures, Op. 75a, B. 149: No. 1 in B-Flat Major, Cavatina. Moderato | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller | D Major | 3 | 10B | 85 BPM | ||
| 2 Songs for My Kids (Version for Cello & String Orchestra): No. 2, Natalie's Waltz | Alexey Shor, Dmitry Yablonsky, Kyiv Virtuosi, Sergey Smbatyan | E Minor | 2 | 9A | 96 BPM | ||
| Baal shem: 2. Nigun | Ernest Bloch, Tasmin Little, Piers Lane | G Minor | 2 | 6A | 87 BPM | ||
| Caprice 1 in D-Sharp Major | Pietro Locatelli, Gabriel Tchalik | D Major | 2 | 10B | 105 BPM | ||
| Gabriel Fauré Après Un Rêve | Josef Karlicek, Petr Karlicek | F Major | 1 | 7B | 76 BPM | ||
| Sentinel | Mark Neumann | F Major | 1 | 7B | 76 BPM | ||
| Weber: Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: I. Allegro | Carl Maria von Weber, Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | F Minor | 1 | 4A | 128 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27: Sonata No. 6 in E Major | Eugène Ysaÿe, Hilary Hahn | A Major | 2 | 11B | 103 BPM | ||
| Introduction, Theme & Variations on Dal tuo stellato soglio from Rossini's Mose in Egitto, Op. 3, "I Brindisi" (Dedicated to Niccolò Paganini) | Roman Kim, Jure Gorucan | B♭ Major | 2 | 6B | 184 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 3 in E Minor | Niccolò Paganini, Augustin Hadelich | A Major | 1 | 11B | 135 BPM | ||
| Paganiniana | Nathan Milstein, Clara Jumi Kang | A Minor | 1 | 8A | 127 BPM | ||
| Las 4 Estaciones Porteñas (Arr. L. Desyatnikov for Violin & Strings): No. 3, Primavera Porteño [Spring] | Tianwa Yang, Nashville Symphony Orchestra, Giancarlo Guerrero | G Minor | 1 | 6A | 138 BPM | ||
| 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 4 in B Minor [Original in F Minor] | Johannes Brahms, Baiba Skride, Lauma Skride | E Major | 3 | 12B | 137 BPM | ||
| Dark Star | Mark Neumann | F Major | 1 | 7B | 76 BPM | ||
| Rachmaninov / Arr. Press & Gingold for Violin and Piano: 14 Romances, Op. 34: No. 14, Vocalise | Hermione Gingold, Michael Press, Sergei Rachmaninoff, Itzhak Perlman, Samuel Sanders | E Minor | 2 | 9A | 98 BPM | ||
| 5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 4, Waltz. Tempo di valse, moderato | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | E♭ Major | 2 | 5B | 100 BPM | ||
| Overture Matilde di Shabran | Gioachino Rossini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | A Major | 2 | 11B | 142 BPM | ||
| Violin Concerto No. 1 in D Major, Op. 6: II. Adagio | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 1 | 10A | 125 BPM | ||
| Bottesini: Double Bass Concerto No. 2 in B Minor: II. Andante | Giovanni Bottesini, Mikyung Sung, Clay Couturiaux, Bradetich Competition Orchestra | G Major | 1 | 9B | 72 BPM | ||
| Café Music: II. Rubato, andante moderato | Paul Schoenfield, Lev Polyakin, Charles Bernard, Frances Renzi | E Major | 0 | 12B | 81 BPM | ||
| String Quartet No. 1 in E Flat Major, Op. 12, MWV R 25: II. Canzonetta: Allegretto | Felix Mendelssohn, Emerson String Quartet | G Major | 1 | 9B | 142 BPM | ||
| 5 Pieces for 2 Violins & Piano (After D. Shostakovich): No. 1, Prelude | Lev Atovmyan, Rudens Turku, Lena Neudauer, Yumiko Urabe | D Minor | 1 | 7A | 119 BPM |