"Seven Profiles: I. —" by Les Thimmig, The Composers String Quartet had its release date on September 15, 2010. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Thimmig, Edwards, Pollock & Griffith: Works for String Quartet". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Seven Profiles: I. — is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seven Profiles: I. — by Les Thimmig, The Composers String Quartet having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Strum | Jessie Montgomery, Catalyst Quartet | A Major | 2 | 11B | 110 BPM | ||
| Piano Trio in A Minor, M. 67: III. Passacaille. Très large | Maurice Ravel, Smetana Trio | G Major | 2 | 9B | 78 BPM | ||
| Long-Ge | Jack Body, Kronos Quartet | C Major | 0 | 8B | 122 BPM | ||
| Interlude (From "2046") | Brussells Philharmonic, Dirk Brossé | G Major | 0 | 9B | 71 BPM | ||
| Fratres | Arvo Pärt, Gidon Kremer, Keith Jarrett | B♭ Major | 0 | 6B | 77 BPM | ||
| Concerto funebre: I. Introduction. Largo - Live | Karl Amadeus Hartmann, Renaud Capuçon, Verbier Festival Chamber Orchestra | F Major | 1 | 7B | 61 BPM | ||
| Viola Sonata: I. Impetuoso | Rebecca Clarke, Philip Dukes, Sophia Rahman | F Major | 1 | 7B | 85 BPM | ||
| Wieniawski: Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Preghiera | Henryk Wieniawski, Itzhak Perlman, London Philharmonic Orchestra, Seiji Ozawa | A Major | 0 | 11B | 65 BPM | ||
| Britten: Quartettino: II. Poco adagio ma con moto | Benjamin Britten, Endellion String Quartet | B Minor | 2 | 10A | 69 BPM | ||
| Concerto for Two Pianos and Orchestra "In Unison": Neon Toccata | Joey Roukens, Lucas Jussen, Arthur Jussen, Netherlands Radio Philharmonic Orchestra, Karina Canellakis | C Minor | 1 | 5A | 139 BPM | ||
| North Country Sketches: 1. Autumn | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | C Major | 0 | 8B | 112 BPM | ||
| Klavierstück IV | Karlheinz Stockhausen, Miharu Ogura | F Minor | 0 | 4A | 83 BPM | ||
| Seven Disobediences for piano and ensemble: No. 1, Seek | Rolf Wallin, Cikada, Kenneth Karlsson, Christian Eggen | G Major | 1 | 9B | 186 BPM | ||
| The Planets, Op. 32: 5. Saturn, the Bringer of Old Age | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 106 BPM | ||
| Polish Requiem: Agnus Dei (Arr. For 8 cellos) | Krzysztof Penderecki, Jan Kalinowski, Beata Urbanek-Kalinowska, Anna Armatys-Borrelli, Karolina Jaroszewska, Marcin Mączyński, Franciszek Pall, Michał Dąbek, Marta Nagawiecka | D♭ Major | 0 | 3B | 93 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| Violin Concerto, Op. 14: I. Allegro | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | C Major | 1 | 8B | 95 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Seven Profiles: I. — | Les Thimmig, The Composers String Quartet | A♭ Major | 0 | 4B | 66 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| void figure 7 | joseph bishara | B♭ Major | 2 | 6B | 82 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | B Minor | 2 | 10A | 69 BPM | ||
| A Woman Can Take You To Another Universe - Sometimes She Justs Leaves You There | John Lurie | G Minor | 0 | 6A | 80 BPM | ||
| The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - The Sacrifice. Introduction. Largo (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | D Minor | 0 | 7A | 60 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | B Minor | 2 | 10A | 69 BPM |