"Twelve Astrological Preludes: V. Taurus" by Roderick elms, The Aurora Ensemble had its release date on 2013. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 25 in Elms: Moody Moves by Roderick elms, The Aurora Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Twelve Astrological Preludes: V. Taurus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Twelve Astrological Preludes: V. Taurus by Roderick elms, The Aurora Ensemble is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La foule (Arr. Dyens for Guitar) | Ángel Cabral, Alexandra Whittingham | E Minor | 2 | 9A | 89 BPM | ||
| Gianni Schicchi: O mio babbino - Arr. For Horn and Orchestra by Wolfgang Renz | Giacomo Puccini, Felix Klieser, I Solisti di Pavia | A♭ Major | 1 | 4B | 69 BPM | ||
| Forgotten: Impromptu | Catharina Josepha Pratten, Alexandra Whittingham | D Minor | 5 | 7A | 152 BPM | ||
| The Kingdom, Op. 51, Part IV. The Sign of Healing: And as they spake (Mezzo-soprano) | Edward Elgar, Richard Hickox, London Symphony Orchestra, Felicity Palmer, Roderick elms | B♭ Major | 1 | 6B | 62 BPM | ||
| Waltz No. 1 in E-Flat Major, Op. 83 | Marie Auguste Durand, Janos Balint, Nora Mercz | E♭ Major | 0 | 5B | 93 BPM | ||
| By the Sleepy Lagoon | Eric Coates, John Wilson, BBC Philharmonic | C Major | 1 | 8B | 77 BPM | ||
| 6 Hymn-Preludes: II. Song 13 | Percy Whitlock, Roderick elms | E♭ Major | 0 | 5B | 138 BPM | ||
| Ave Maria, CG 89 - Méditation sur le Premier Prélude de Piano de S. Bach - Arr. for Cello & String Orchestra by P. Lyubomudrov | Charles Gounod, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | G Major | 1 | 9B | 86 BPM | ||
| Sea Sketches: II. Sailing Song | Grace Williams, Ostrobothnian Chamber Orchestra, Malin Broman | C Major | 2 | 8B | 45 BPM | ||
| Fantasy Pieces, Op. 45: No. 4, Summer Song (Arr. for Orchestra) | Agathe Backer Grøndahl, Iceland Symphony Orchestra, Bjarte Engeset | G Major | 0 | 9B | 89 BPM | ||
| Sonata for Violin & Harp No. 4 in E-Flat Major, Op. 113 (Version for Cello & Harp): II. Adagio | Louis Spohr, Helga Storck, Klaus Storck | A Major | 0 | 11B | 117 BPM | ||
| Idol of Paris: Dedication | Mischa Spoliansky, Rumon Gamba, BBC Concert Orchestra, Roderick elms | A Minor | 0 | 8A | 81 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Les cygnes | Henri Büsser, Eva Oertle, Consuelo Giulianelli | A Major | 1 | 11B | 106 BPM | ||
| A Tale of 2 Cities: Theme | Richard Addinsell, Douglas Gamley, Roderick elms, BBC Concert Orchestra, Kenneth Alwyn | C Major | 2 | 8B | 75 BPM | ||
| Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | ||
| The Watermill | Ronald Binge, New London Orchestra, Ruth Scott, Ronald Corp | B♭ Major | 1 | 6B | 71 BPM | ||
| Les pêcheurs de perles, WD 13, Act I: Au fond du temple saint (Arr. for Cello and Orchestra) | Georges Bizet, Sally Maer, Andrew Greene, Tasmanian Symphony Orchestra | E♭ Major | 2 | 5B | 57 BPM | ||
| 6 Hymn-Preludes: IV. St. Denio | Percy Whitlock, Roderick elms | G Major | 0 | 9B | 67 BPM | ||
| Visions of St Anne – Symphony for Orchestra: III. Lamentosa | Roderick elms, BBC Concert Orchestra, Barry Wordsworth | G Major | 1 | 9B | 141 BPM | ||
| Petite Valse | Sidney Torch, Roderick elms, BBC Concert Orchestra, Barry Wordsworth | G Major | 0 | 9B | 67 BPM | ||
| The Rosemary and Thyme Caprice | Christopher Gunning, Rumon Gamba, Craig Ogden, BBC Philharmonic Orchestra | E Minor | 0 | 9A | 84 BPM | ||
| The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers | F♯ Major | 0 | 2B | 67 BPM | ||
| Suite Lyrique: 3. Aria | John Rutter, Catrin Finch, Sinfonia Cymru | E Minor | 1 | 9A | 128 BPM | ||
| Romance in E-Flat Major, Op. 11 | Gerald Finzi, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 86 BPM |