"Mefistofele: Prologue - Intermezzo" by Arrigo Boito, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano, Chorus of Teatro alla Scala, Samuel Ramey had its release date on 1996. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 34 in Boito: Mefistofele by Arrigo Boito, Riccardo Muti. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Mefistofele: Prologue - Intermezzo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mefistofele: Prologue - Intermezzo by Arrigo Boito, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano, Chorus of Teatro alla Scala, Samuel Ramey is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mozart: Così fan tutte, K. 588, Act 1: Terzetto. "É la fede delle femmine" (Ferrando, Don Alfonso, Guglielmo) | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra, Deon Van Der Walt, Gilles Cachemaille, Thomas Hampson | D Major | 0 | 10B | 113 BPM | ||
| Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | ||
| Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 2: "My soul is sad" | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Anatoly Kotcherga | G Minor | 0 | 6A | 89 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Tosca, Act I: "Ah, quegli occhi!" - "Qual occhio al mondo" | Giacomo Puccini, Jonas Kaufmann, Sonya Yoncheva, Asher Fisch, Orchestra del Teatro Comunale di Bologna | D♭ Minor | 2 | 12A | 59 BPM | ||
| Gounod: Faust, Act 1: "Rien ! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| Boito: Mefistofele, Epilogue: "All'erta! la lotta incerta fra l'averno ed il ciel" (Mefistofele, Faust, Coro) | Arrigo Boito, Julius Rudel, Ambrosian Opera Chorus, Norman Treigle, Plácido Domingo, Wandsworth School Boys Choir, London Symphony Orchestra | E Major | 3 | 12B | 85 BPM | ||
| Tosca, Act II: Tosca è un buon falco! | Giacomo Puccini, Sherrill Milnes, Paul Hudson, National Philharmonic Orchestra, Nicola Rescigno | E♭ Minor | 3 | 2A | 85 BPM | ||
| Carmen / Act 1: Votre mère avec moi sortait de la chapelle | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 129 BPM | ||
| Boito: Mefistofele, Prologue: Prelude | Arrigo Boito, Julius Rudel, London Symphony Orchestra | A Major | 1 | 11B | 102 BPM | ||
| La fille du régiment / Act 1: Sacré nom d'une pipe! | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 62 BPM | ||
| L'elisir d'amore / Act I: "Che vuol dire codesta suonata?" | Gaetano Donizetti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 2 | 11B | 118 BPM | ||
| Tosca, Act II: Quanto? Quanto? Il prezzo! | Giacomo Puccini, Mirella Freni, Sherrill Milnes, National Philharmonic Orchestra, Nicola Rescigno | E♭ Minor | 3 | 2A | 85 BPM | ||
| Requiem, Op. 89, B. 165: Tuba mirum | Antonín Dvořák, Czech Philharmonic Orchestra | F♯ Major | 1 | 2B | 88 BPM | ||
| La Gioconda: Cielo e mar | Amilcare Ponchielli, Enrico Caruso | D♭ Minor | 1 | 12A | 112 BPM | ||
| Carmen: Habt ihr gehört? / Leichter Rauch | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E Major | 1 | 12B | 125 BPM | ||
| La Gioconda / Act 1: O monumento! | Amilcare Ponchielli, Sherrill Milnes, National Philharmonic Orchestra, Bruno Bartoletti | C Major | 2 | 8B | 167 BPM | ||
| H.M.S. Pinafore / Act 1: The nightingale sighed | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 0 | 4B | 85 BPM | ||
| Stabat Mater: 6. Sancta Mater istud agas | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini | A♭ Major | 1 | 4B | 71 BPM | ||
| Soy Dalí Excerpt | Hermanos Ferrando, Ignacio Ferrando, Jorge Ferrando | B♭ Major | 1 | 6B | 112 BPM | ||
| Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
| Mefistofele, Prologue: Fratelli, teniamoci per mano | Arrigo Boito, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | B Major | 0 | 1B | 166 BPM | ||
| La Gioconda / Act 2: E un anatema! | Amilcare Ponchielli, Montserrat Caballé, Agnes Baltsa, National Philharmonic Orchestra, Bruno Bartoletti | F Major | 2 | 7B | 170 BPM | ||
| Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM |