"Resurgence: I. Revelation" by Chris Evan Hass, Carolina Trombone Project, Jeremy Marks had its release date on February 1, 2023. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Resurgence: I. Revelation's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carolina Trombone Project's "Mountain Ascent" album is number 5 out of 17. On top of that, United States appears to be the country where this track was created. Resurgence: I. Revelation is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Resurgence: I. Revelation by Chris Evan Hass, Carolina Trombone Project, Jeremy Marks to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| III. With gaiety | Paul Creston, Donald Sinta, Nelita True | D Major | 2 | 10B | 140 BPM | ||
| One Life Beautiful | Julie Giroux, University of North Texas Symphonic Band, Ray Cramer | E♭ Major | 3 | 5B | 99 BPM | ||
| Fat Lip | The Hornheads | A♭ Minor | 6 | 1A | 106 BPM | ||
| Downey Overture (Live) | Oscar Navarro, Eugene Migliaro Corporon, North Texas Wind Symphony | F Major | 4 | 7B | 73 BPM | ||
| Quartets | Roger Cichy, University of Texas at El Paso Symphonic Winds, Ron Hufstader | E♭ Major | 3 | 5B | 115 BPM | ||
| Steampunk Suite: IV. Barnum and Tesla's Tandem Bicycle (Live) | Erika Svanoe, Ohio State University Wind Symphony, Brian Doyle | F♯ Minor | 1 | 11A | 149 BPM | ||
| Concertino da camera: I. Allegro con moto | Jacques Ibert, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | F Major | 1 | 7B | 69 BPM | ||
| Choreography | Robert Sheldon, Queen City High School Band, Melissa Grant | E♭ Major | 2 | 5B | 152 BPM | ||
| Hunting Wabbits | Gordon Goodwin's Big Phat Band | F Minor | 5 | 4A | 158 BPM | ||
| Zeetin Z'bo | The Hornheads | A♭ Major | 5 | 4B | 124 BPM | ||
| Redline Tango | John Mackey, University of Kansas Wind Ensemble, John P. Lynch | D♭ Major | 2 | 3B | 128 BPM | ||
| Islas y Montanas: III. Seis Manuel | Shelley Hanson, Rutgers Wind Ensemble, William Berz | B♭ Major | 2 | 6B | 79 BPM | ||
| The Red Machine | Peter Graham, North Texas Wind Symphony, Eugene Migliaro Corporon | D Major | 1 | 10B | 117 BPM | ||
| Spoon River (Arr. for Wind Ensemble) | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | G Minor | 1 | 6A | 91 BPM | ||
| Dukas: Villanelle | Paul Dukas, Dennis Brain, Gerald Moore | C Major | 0 | 8B | 69 BPM | ||
| An American in Paris: Blues Theme | Corrado Giuffredi, Shoko Gamo | B♭ Major | 1 | 6B | 95 BPM | ||
| Solo de Concours | Anthony Mcgill | B♭ Major | 0 | 6B | 76 BPM | ||
| A Little Tango Music | Adam Gorb, Showa Wind Symphony, Eugene Migliaro Corporon | C Minor | 2 | 5A | 116 BPM | ||
| Improvisation et caprice: I. Improvisation | Eugène Bozza, Jean-Pierre Baraglioli | C Major | 1 | 8B | 127 BPM | ||
| Tuba Suite: II. Andante espressivo | Don Haddad, David Zerkel, Paolo Andre Gualdi | B♭ Minor | 3 | 3A | 79 BPM | ||
| Tuba Concerto: III. Allegro giocoso | Edward Gregson, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | G Minor | 2 | 6A | 66 BPM | ||
| Molly on the Shore, BFMS 23 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | C Major | 2 | 8B | 125 BPM | ||
| Colors: IV. Green | Bert Appermont, Columbus State University Wind Ensemble, Joseph Alessi, Robert W. Rumbelow | C Major | 3 | 8B | 76 BPM | ||
| Torna a Surriento (Come Back to Sorrento) [arr. For trombone] | Ernesto de Curtis, Joseph Alessi, Alessi Street Band | B♭ Major | 0 | 6B | 81 BPM | ||
| Respectfully Yours (Version for Saxophone & Piano) | Andy Scott, Timothy McAllister, Liz Ames | E♭ Major | 5 | 5B | 123 BPM |