Ann Rachlin's ' "A Chocolate Boat On A Cherry Sea" was released on its scheduled release date, 1986. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "The Nutcracker - The Story Of The Ballet". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. The popularity of A Chocolate Boat On A Cherry Sea is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With A Chocolate Boat On A Cherry Sea by Ann Rachlin having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
| Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | ||
| Les patineurs (Arr. C. Lambert): Pas de deux. Cantabile | Giacomo Meyerbeer, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 0 | 8B | 81 BPM | ||
| Coppélia, Tableau 1: No. 4 Scène | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| Scheherazade the Young Prince and the Princess | Olive the Otter Dog | C Major | 0 | 8B | 80 BPM | ||
| Peter and the Wolf, Op. 67: XI. Peter Catches the Wolf | Wiener Opernorchester | C Major | 1 | 8B | 92 BPM | ||
| H.M.S. Pinafore / Act 2: Farewell, my own | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Jean Hindmarsh, John Reed, Joyce Wright, Donald Adams, George Cook, Eric Wilson-Hyde, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 89 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 Appendix | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 86 BPM | ||
| Horizon In Pale Gold | Joseph R Dolan, Ghibli | C Major | 2 | 8B | 120 BPM | ||
| The Two Pigeons Act 1 | André Messager, John Lanchbery, Royal Ballet Sinfonia, Barry Wordsworth | A Major | 1 | 11B | 136 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jeremy Fisher (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | C Major | 2 | 8B | 103 BPM | ||
| Father Vivaldi Introduces The Four Seasons | Ann Rachlin | E Major | 1 | 12B | 83 BPM | ||
| Le Carnaval des Animaux, R. 125: 7. Aquarium | Camille Saint-Saëns, Adelaide Symphony Orchestra, David Stanhope | F Major | 1 | 7B | 68 BPM | ||
| Thank You, Lilac Fairy | Ann Rachlin | D Minor | 2 | 7A | 84 BPM | ||
| Sibelius: King Christian II Suite, Op. 27: I. Nocturne | Jean Sibelius, Scottish National Orchestra/Sir Alexander Gibson, Alexander Gibson, Scottish National Orchestra | E Minor | 1 | 9A | 77 BPM | ||
| Fractured Mind | Orithia | D♭ Major | 1 | 3B | 101 BPM | ||
| Juliet Teases Her Nurse | Ann Rachlin | F Major | 1 | 7B | 112 BPM | ||
| Duruflé : 3 Dances Op.6 : I Divertissement | Maurice Duruflé, Marie-Claire Alain, Jean-Jacques Kantorow & Bamberg Symphony Orchestra, Jean-Jacques Kantorow, Bamberg Symphony | G Major | 1 | 9B | 99 BPM | ||
| Aida: Ballet Music | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | F Major | 3 | 7B | 123 BPM | ||
| China Doll | Leory Anderson and His Orchestra | G Major | 2 | 9B | 127 BPM | ||
| The Eternal Road, Act III, the Kings, Scene 24 (cont.): Ruth and Boaz | Kurt Weill, Sigurd Brauns, Ted Christopher, Ian DeNolfo, Karl Dent, Constance Hauman, James Maddalena, Barbara Rearick, Vale Rideout, Manfred Roost, Hanna Wollschlager, Ernst Senff Chor Berlin, Berlin Radio Children's Choir, Rundfunk-Sinfonieorchester Ber | F Major | 2 | 7B | 127 BPM | ||
| My Fair Lady, Act I Scene 6: Colonel Pickering, I Don't Understand | Frederick Loewe, Penelope Wilton, Malcolm Sinclair, Matt McDonald | F Major | 3 | 7B | 128 BPM | ||
| バレエ組曲「くるみ割り人形」 e. 中国の踊り | ベルリン フィルハーモニー管弦楽団, ニューフィルハーモニア管弦楽団 | E Minor | 3 | 9A | 158 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Pigling Bland | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | D Major | 1 | 10B | 65 BPM | ||
| Gaîté parisienne: 4. Allegro - Valse | Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | A Major | 2 | 11B | 102 BPM |