Fantasia On Greensleeves by Ralph Vaughan Williams, Boston Pops Orchestra, John Williams Song Details

"Fantasia On Greensleeves" by Ralph Vaughan Williams, Boston Pops Orchestra, John Williams had its release date on January 1, 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Pops In Love". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Netherlands. Fantasia On Greensleeves is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Fantasia On Greensleeves by Ralph Vaughan Williams, Boston Pops Orchestra, John Williams having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 11%
Loudness: -26.625 dB
Acousticness: 98%
Danceability: 16%
Energy: 6%
Instrumentalness: 94%
Liveness: 8%
Loudness: 56%
Speechiness: 4%
Valence: 8%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	A♭ Major	1	4B	118 BPM
Appalachian Spring: III. Moderato	Aaron Copland, Leonard Bernstein, New York Philharmonic	F♯ Major	0	2B	177 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Yuja Wang, Boston Symphony Orchestra, Andris Nelsons	F Major	1	7B	104 BPM
Suite pastorale: I. Idylle	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	F Major	0	7B	105 BPM
Symphony No. 3, "Pastoral Symphony": II. Lento moderato	Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels	G Minor	0	6A	88 BPM
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato	Ottorino Respighi, RTÉ National Symphony Orchestra	D Major	1	10B	90 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	97 BPM
A Shropshire Lad - Rhapsody	George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner	A♭ Major	1	4B	95 BPM
Karelia Suite, Op.11: 1. Intermezzo (Moderato)	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	E♭ Major	1	5B	182 BPM
Slovak Suite, Op. 32: I. In the Church. Andante	Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek	G Major	1	9B	73 BPM
Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato	Antonín Dvořák, London Chamber Orchestra, Christopher Warren-Green	E Major	1	12B	82 BPM
Carmen Suite No. 1: III. Intermezzo, Interlude before Act III	Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra	D Major	1	10B	134 BPM
Appalachian Spring: I. Very Slowly	Aaron Copland, Leonard Bernstein, New York Philharmonic	A Major	0	11B	78 BPM
A Moorside Suite, H. 173: Nocturne	Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones	B Minor	0	10A	80 BPM
Appalachian Spring: VI. Meno mosso	Aaron Copland, Leonard Bernstein, New York Philharmonic	A♭ Major	0	4B	143 BPM
Simple Symphony, Op. 4: III. Sentimental Sarabande	Benjamin Britten, Camerata Nordica, Terje Tonnesen	G Minor	0	6A	85 BPM
Adoration (Version for Solo Violin and String Orchestra)	Florence Beatrice Price, Daniel Hope, Zürcher Kammerorchester	D Major	1	10B	80 BPM
Henry V: "Touch her Soft Lips and Part" (1944)	William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra	B Minor	1	10A	98 BPM
Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental	Gerald Finzi, Aurora Orchestra, Nicholas Collon	C Minor	1	5A	99 BPM
Romance in E-Flat Major, Op. 11	Gerald Finzi, Royal Northern Sinfonia, Howard Griffiths	A♭ Major	1	4B	86 BPM
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod. Adagio (Arr. Parkin)	Edward Elgar, Sheku Kanneh-Mason, Ashok Klouda, Caroline Dearnley, Hannah Roberts, Josephine Knight, Ben Davies	B♭ Major	1	6B	90 BPM
Appalachian Spring: VII. Doppio movimento	Aaron Copland, Leonard Bernstein, New York Philharmonic	D♭ Major	1	3B	78 BPM
Brook Green Suite: II. Air	Gustav Holst, English Sinfonia, Howard Griffiths	E♭ Major	0	5B	128 BPM
Song For Athene	John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton	B♭ Major	0	6B	97 BPM
Karelia Suite, Op.11: 3. Alla marcia (Moderato)	Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner	A Major	3	11B	184 BPM