"Our Town, Act III: "We're All Coming Up Here"" by Ned Rorem, Matthew DiBattista, Krista River, Glorivy Arroyo, Gil Rose had its release date on June 9, 2017. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 29 in the song's album "Ned Rorem: Our Town". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Our Town, Act III: "We're All Coming Up Here" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Our Town, Act III: "We're All Coming Up Here" by Ned Rorem, Matthew DiBattista, Krista River, Glorivy Arroyo, Gil Rose having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | D♭ Major | 0 | 3B | 81 BPM | ||
| Das Lied von der Erde: II. Der Einsame im Herbst. Etwas schleichend. Ermüdet | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | D Minor | 0 | 7A | 75 BPM | ||
| Our Town, Act III: "Seen Enough?" | Ned Rorem, Matthew DiBattista, Margot Rood, Gil Rose | A Minor | 2 | 8A | 87 BPM | ||
| Prélude en Ré b/Des | Lili Boulanger, Antonii Baryshevskyi | A♭ Major | 0 | 4B | 72 BPM | ||
| Sonata Santera: III. Bembe | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | D♭ Major | 0 | 3B | 81 BPM | ||
| Quilter: 3 Songs, Op. 3: No. 2, Now Sleeps the Crimson Petal (Arr. Hough for Piano) | Roger Quilter, Stephen Hough | F♯ Major | 0 | 2B | 131 BPM | ||
| Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
| Balakirev: Berceuse in D-Flat Major | Mily Balakirev, Bertrand Chamayou | D♭ Major | 1 | 3B | 70 BPM | ||
| Catullus: On the Burial of his Brother | Ned Rorem, The Prince Consort | F Major | 0 | 7B | 125 BPM | ||
| Clarinet Trio in A Minor, Op. 114: III. Andantino grazioso | Johannes Brahms, Han Chen, Clare Monfredo, Eric Schultz | A Major | 1 | 11B | 167 BPM | ||
| Prelude-Pastorale in A Major | Anatoly Lyadov, Marco Rapetti | B Major | 1 | 1B | 124 BPM | ||
| Symphony No. 3: Largo | Bournemouth Symphony Orchestra, Ned Rorem | G Major | 0 | 9B | 78 BPM | ||
| Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 2. Sempre espressivo ed assai Legato | Max Reger, Marc-André Hamelin | B♭ Major | 2 | 6B | 169 BPM | ||
| Nocturne No. 11, Op. 104 No. 1 | Gabriel Fauré, Louis Lortie | E Minor | 0 | 9A | 62 BPM | ||
| Lyric Suite: I. Allegretto gioviale | Alban Berg, Leonkoro Quartet | G Minor | 1 | 6A | 81 BPM | ||
| Bois: No. 2, Chanson du Soleil | Jan Erik Mikalsen, Marion Walker, Eivind Gullberg Jensen, Kristiansand Symphony Orchestra | F Major | 1 | 7B | 62 BPM | ||
| Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| 24 Preludes, Op. 11: No. 8 in F-Sharp Minor. Allegro agitato | Alexander Scriabin, Mikhail Pletnev | G Major | 0 | 9B | 74 BPM | ||
| Irmelin Prelude | Frederick Delius, London Symphony Orchestra, Sir John Barbirolli | F♯ Major | 0 | 2B | 96 BPM | ||
| Feldeinsamkeit | Johannes Brahms, Fabio Di Casola | G Minor | 1 | 6A | 124 BPM | ||
| Davidsbündlertänze, Op. 6: No. 18, Nicht schnell | Robert Schumann, Tiffany Poon | C Major | 0 | 8B | 104 BPM | ||
| Improvisation No. 3 | Gabriela Montero | A♭ Minor | 0 | 1A | 106 BPM | ||
| Woodland Suite: I. At Evening Bell | George Dyson, BBC Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 96 BPM |