- BPM
- 97
- Key
- A♭ Major
- Camelot
- 4B
Go Not, Happy Day by Frank Bridge, Paul Whelan, David Harper Song Details
"Go Not, Happy Day" by Frank Bridge, Paul Whelan, David Harper had its release date on January 1, 2000. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 26 in Bridge / Lilburn / Ireland / Orr / Finzi: Songs for Baritone by Paul Whelan, David Harper. Going off of the ISRC code of this track, we detected that the origin of this track is from New Zealand. In terms of popularity, Go Not, Happy Day is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Go Not, Happy Day by Frank Bridge, Paul Whelan, David Harper is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -24.575 dB
- Acousticness
- 100%
- Danceability
- 33%
- Energy
- 5%
- Instrumentalness
- 16%
- Liveness
- 11%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 7%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | |
 | Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | |
 | Bagatelles I-XIII: Bagatelle III | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 94 BPM | |
 | Concerto in E-Flat Major, Op. 1: II. Adagio | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | A♭ Major | 0 | 4B | 120 BPM | |
 | 2 Irish Pieces: No. 1, From the Countryside | William Alwyn, Ashley Wass | D♭ Major | 0 | 3B | 70 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | The Holy Boy | John Ireland, Richard Hickox, London Symphony Orchestra | G Minor | 0 | 6A | 101 BPM | |
 | Suite d'orchestre dans le style ancien, Op. 2: II. Sarabande. Mesto | Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 64 BPM | |
 | Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | |
 | Miniatures for Piano Trio. Set 2: No. 6, Saltarello | Frank Bridge, Jack Liebeck, Alexander Chaushian, Ashley Wass | D Minor | 1 | 7A | 83 BPM | |
 | Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | |
 | Harmonies des bois, Op. 76: II. Les larmes de Jacqueline | Jacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | C Major | 0 | 8B | 84 BPM | |
 | À Chloris (Transc. Mayer for Oboe and Piano) | Reynaldo Hahn, Albrecht Mayer, Kimiko Imani | E Major | 1 | 12B | 66 BPM | |
 | Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen) | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | B Major | 1 | 1B | 113 BPM | |
 | Sarabande et rigaudon, Op. 93: Sarabande | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | C Major | 0 | 8B | 71 BPM | |
 | The Moon | William Lloyd Webber, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | |
 | Three Orchestral Pieces, H. 18: No. 2, Chant d'esperance | Frank Bridge, Richard Hickox, BBC National Orchestra Of Wales | B♭ Major | 1 | 6B | 76 BPM | |
 | Hymn | Valentin Silvestrov, Stuttgart Chamber Orchestra, Thomas Sanderling | F Major | 0 | 7B | 75 BPM | |
 | Orfeo ed Euridice, Wq. 30, Act II: Danse des champs-elysées "Mélodie" (Arr. for Piano by Ignaz Friedman) | Christoph Willibald Gluck, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | |
 | Suite No. 3, Op. 19 No. 1: II. Pantomim: Moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 1 | 9A | 76 BPM | |
 | Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 0 | 7B | 74 BPM | |
 | The Sea: No. 3, Moonlight | Frank Bridge, New Zealand Symphony Orchestra, James Judd | C Major | 3 | 8B | 97 BPM | |
 | Sicilenne | Maria von Paradis, Louise-Andrée Baril, Thérèse Motard | E♭ Major | 0 | 5B | 70 BPM | |
 | Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | |
 | Adoration | Florence Beatrice Price, Randall Goosby, Zhu Wang | D Major | 1 | 10B | 75 BPM |
- ISRC
- NZTR09900035
- Label
- L-M Records/RCA Records