Pierre Rode, Elizabeth Wallfisch's ' "24 Caprices en formes d'etudes: No. 8 in F-Sharp Minor" was released on its scheduled release date, May 19, 2010. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. 24 Caprices en formes d'etudes: No. 8 in F-Sharp Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Rode: 24 Caprices en formes d'etudes". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. 24 Caprices en formes d'etudes: No. 8 in F-Sharp Minor is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 24 Caprices en formes d'etudes: No. 8 in F-Sharp Minor by Pierre Rode, Elizabeth Wallfisch having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 12 Caprices for Solo Cello, Op. 25: No. 1, Allegro quasi presto | Alfredo Piatti, Soo Bae | G Minor | 2 | 6A | 141 BPM | ||
| Fantasia No. 1 in B-Flat Major, TWV 40:14: II. Allegro | Georg Philipp Telemann, Federico Guglielmo | A Major | 1 | 11B | 119 BPM | ||
| Monn: Cello Concerto in G Minor: I. Allegro | Georg Matthias Monn, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli, Valda Aveling | G Minor | 1 | 6A | 120 BPM | ||
| Concerto Grosso in A Minor for Two Violins, Op. 3 No. 8: Allegro | David Oistrakh, Igor Oistrakh | A Minor | 2 | 8A | 96 BPM | ||
| Broken Promises | Orithia | D Major | 6 | 10B | 98 BPM | ||
| Erlkönig. Caprice für Violine allein nach der Ballade von Franz Schubert op. 26 | Ingolf Turban, Giovanni Bria | G Minor | 2 | 6A | 140 BPM | ||
| Wieniawski: Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Preghiera | Henryk Wieniawski, Itzhak Perlman, London Philharmonic Orchestra, Seiji Ozawa | A Major | 0 | 11B | 65 BPM | ||
| Spohr : Sonata for Cello & Harp in G major Op.115 : II Larghetto | Louis Spohr, Helga & Klaus Storck | E Major | 1 | 12B | 116 BPM | ||
| Paganini: Moto Perpetuo, Op. 11 No. 6 | Niccolò Paganini, Julie Berthollet, Mathieu Herzog, Ensemble Appassionato | C Major | 4 | 8B | 159 BPM | ||
| Cello Concerto in D Minor: II. Intermezzo: Andantino con moto - Allegro - Presto | Édouard Lalo, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 0 | 10B | 168 BPM | ||
| Arpeggione Sonata, D. 821: II. Adagio | Franz Schubert, Anne Gastinel, Claire Désert | E Major | 0 | 12B | 73 BPM | ||
| Accolay: Violin Concerto No. 1 in A Minor | Jean Baptist Accolay, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Minor | 2 | 8A | 97 BPM | ||
| Passacaglia in G Minor (After G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) | Johan Halvorsen, Natalia Lomeiko, Yuri Zhislin | A Minor | 1 | 8A | 149 BPM | ||
| Concerto for 2 Cellos in G Minor, RV 531: III. Allegro | Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 1 | 6A | 108 BPM | ||
| La ronde des Lutins | Antonio Bazzini, Christian Li, Timothy Young | G Major | 5 | 9B | 98 BPM | ||
| Every Violinist's Guide - 18 Traditional Etudes (First Recording): No. 8 | Pierre Rode, Steven Staryk, Kenneth Gilbert, Adela Kotowska, Eloise Niwa | C Minor | 1 | 5A | 115 BPM | ||
| 24 caprices en formes d'etudes: No. 21 in B-Flat Major | Pierre Rode, Axel Strauss | C Minor | 1 | 5A | 100 BPM | ||
| Allegretto grazioso | Nicola Porpora, Mela Tenenbaum, Richard Kapp | D Major | 1 | 10B | 156 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | C Major | 1 | 8B | 96 BPM | ||
| Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 3. Allegro | Johann Sebastian Bach, Arthur Grumiaux, Herman Krebbers, Les Solistes Romands, Arpad Gérecz | G Minor | 3 | 6A | 96 BPM | ||
| Brahms / Arr. Joachim for Violin and PIano: 21 Hungarian Dances, WoO 1: No. 5 in G Minor | Johannes Brahms, Maxim Vengerov, Mikhail Parhamovsky | G Minor | 2 | 6A | 146 BPM | ||
| Violin Concerto No. 1 in D Minor, Op. 3: II. Adagio | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | B♭ Major | 1 | 6B | 129 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 4 in C Minor | Niccolò Paganini, Augustin Hadelich | A♭ Major | 1 | 4B | 106 BPM | ||
| Passacaglia and Sarabande for Violin and Viola (With Variations on a Theme by Handel) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 3 | 6A | 112 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: II. Fugato | Eugène Ysaÿe, Hilary Hahn | G Minor | 2 | 6A | 101 BPM |