Pujya Bhaishree Rameshbhai Ojha's ' "Mohan Maro Aave Chhe" was released on its scheduled release date, December 31, 1991. This song appears to be safe for all ages as it is not explicit. The song is number 3 out of 4 in Bhagawatji No Ambo by Pujya Bhaishree Rameshbhai Ojha. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Mohan Maro Aave Chhe is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Mohan Maro Aave Chhe by Pujya Bhaishree Rameshbhai Ojha is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tvameva Maata Cha Pitaa Tvameva | Sumeet Tappoo | D♭ Major | 3 | 3B | 105 BPM | ||
| Manihare Ka Bhesh Banaya | Hari Bharwad | E♭ Major | 6 | 5B | 117 BPM | ||
| NAMAH SHIVAY NAMAH SHIVAY | Morari Bapu | D♭ Major | 5 | 3B | 104 BPM | ||
| Odhaji Mara Vhala Ne | Pamela Jain | G Minor | 5 | 6A | 174 BPM | ||
| Ajara Koi Jariya Na Jaye Live | Pujya Bhaishree Rameshbhai Ojha | B Minor | 6 | 10A | 129 BPM | ||
| Mara Ghat Ma Birajta | Utpal Jivrajani, Nidhi Dholakia | E♭ Major | 6 | 5B | 81 BPM | ||
| Om Jai shiv Jai Mahakal | Manish Tiwari | F♯ Major | 5 | 2B | 100 BPM | ||
| Jhulo Jhulo - Contemproary Folk Lullabies | Lalitya Munshaw | D Major | 4 | 10B | 120 BPM | ||
| Ganesh Sthapan | Paratham Ganesh | Lalita Ghodadra | F Minor | 7 | 4A | 164 BPM | ||
| Vanke Anbode Shrinathaju Ne | Shailendra Bharti, Nisha Upadhyay | F Major | 4 | 7B | 107 BPM | ||
| Main Kanuda Teri Govalana | Damyanti Bardai, Dipalee Somaiya Date, Chetan Gadhavi | E♭ Major | 5 | 5B | 89 BPM | ||
| Aaje Sahune Jay Shree Krishna-Dhoon | Nidhi Dholakia, Nitin Devka | D♭ Major | 6 | 3B | 77 BPM | ||
| Shiva Om | Vikram Hazra | D♭ Major | 3 | 3B | 168 BPM | ||
| Mori Maiya Ki | Shahnaaz Akhtar | D♭ Major | 7 | 3B | 81 BPM | ||
| Sevalal Maharaj Arti | Pooja Mhatre | F Major | 6 | 7B | 80 BPM | ||
| Uncha Uncha Mara Shreejina Dham | Master Rana | A Major | 5 | 11B | 80 BPM | ||
| Pyari Re Tari Murti | Baps Swaminarayan Sanstha | D♭ Major | 6 | 3B | 115 BPM | ||
| Jai Adhyashakti Aarti | Bipin Sathiya | F Minor | 5 | 4A | 104 BPM | ||
| ShreeJi Bawa Din Dayala | Manoj Dave, Himali Dholakia | B♭ Major | 5 | 6B | 101 BPM | ||
| Mara Ghatma Birajata Shrinathji | Ashit Desai, Hema Desai | D Major | 7 | 10B | 83 BPM | ||
| Khamma Re Bahuchar Maat - Aarti | Ami Joshi, Asif Jeriya | F Minor | 7 | 4A | 87 BPM | ||
| Pyar Nahi He Surse Jisko Live | Pujya Bhaishree Rameshbhai Ojha | B Minor | 6 | 10A | 129 BPM | ||
| Tame Re Sundarvanna | Atul Purohit, Himali, Smita Shah | B♭ Major | 4 | 6B | 70 BPM | ||
| Padhore Popat | Damyanti Bardai, Dipalee Somaiya Date, Chetan Gadhavi | E♭ Major | 3 | 5B | 156 BPM | ||
| Akhand Roji Harina Haathman Live | Pujya Bhaishree Rameshbhai Ojha | A Major | 9 | 11B | 78 BPM |