George Frideric Handel, Norma Burrowes, English Baroque Soloists, John Eliot Gardiner's ' "Acis And Galatea - First Version: Cease, O Cease" was released on its scheduled release date, January 1, 1978. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Anthony Rolfe Johnson, Norma Burrowes, Paul Elliott, Martyn Hill, Willard White, English Baroque Soloists, John Eliot Gardiner's "Handel: Acis and Galatea" album is number 10 out of 29. On top of that, Germany appears to be the country where this track was created. Acis And Galatea - First Version: Cease, O Cease is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Acis And Galatea - First Version: Cease, O Cease by George Frideric Handel, Norma Burrowes, English Baroque Soloists, John Eliot Gardiner to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto for Flute, English Horn, Strings and B.c. "Amabile baltà": Andante - Allegro ("Qui l'augel da pianta in pianta" from Cantata 'Aci, Galatea e Poliremo', HWV 72) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Matthieu Gauci-Ancelin, Jakub Haufa, Monika Razynska | A Major | 0 | 11B | 77 BPM | ||
| Symphony No. 1 in B-Flat Major, Op. 2: II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
| Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 79 BPM | ||
| Rameau: Les Boréades, Act 4: Entrée de Polymnie | Jean-Philippe Rameau, Gyorgy Vashegyi, Orfeo Orchestra | D Major | 2 | 10B | 122 BPM | ||
| Adagio For Strings And Organ | The Regency House Orchestra | C Minor | 2 | 5A | 81 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
| Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 1 | 7A | 134 BPM | ||
| Water Music Suite No. 1 in F: Adagio e staccato | Berliner Philharmoniker, Riccardo Muti | D Minor | 1 | 7A | 77 BPM | ||
| Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 59 BPM | ||
| Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
| Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 107 BPM | ||
| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
| Deborah, HWV 51: Part II: Chorus - The great King of Kings will aid us too | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | D♭ Major | 2 | 3B | 111 BPM | ||
| Suite in D Minor: 2. Sarabande | Louis Couperin, Christopher Hogwood | D♭ Minor | 1 | 12A | 140 BPM | ||
| Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | C Major | 0 | 8B | 70 BPM | ||
| Armide: Passacaille | Jean-Baptiste Lully, Véronique Gens/Les Talens Lyriques/Christophe Rousset, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 122 BPM | ||
| Symphony in C Major, J-C 4: II. Andante e affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Gluck: Don Juan, Wq. 52: III. Andante | Christoph Willibald Gluck, John Eliot Gardiner, English Baroque Soloists | F Major | 0 | 7B | 104 BPM | ||
| Eternal Source of Light Divine (From "Ode for the Birthday of Queen Anne, HWV 74") | George Frideric Handel, Wynton Marsalis, Kathleen Battle, John Nelson, Anthony Newman, John Feeney, Daire Fitzgerald, Orchestra of St. Luke's | C Major | 1 | 8B | 65 BPM | ||
| Stabat Mater en fa mineur pour soprano, alto & orgue: Quando corpus morietur Amen | Giovanni Battista Pergolesi, Orchestre Paul Kuentz, Barbara Schlick, Christa Menke | B♭ Minor | 1 | 3A | 129 BPM | ||
| Schwanengesang, D. 957: Ständchen | Franz Schubert, Mischa Maisky, Daria Hovora | D Minor | 0 | 7A | 179 BPM | ||
| Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
| Handel / Arr. Mackerras & Rothwell: Oboe Concerto No. 2a in B-Flat Major, HWV 301: I. Adagio - II. Allegro | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 2 | 6B | 108 BPM | ||
| Symphony in E-Flat Major, W. I/10: I. Allegro | Johann Christoph Friedrich Bach, Concerto Köln | D Major | 2 | 10B | 123 BPM | ||
| Gideon, Pt. 3: Air. Let the Trumpet's Sound Inviting | George Frideric Handel, David Cordier, Barbara Hannigan, Stephan MacLeod, Linda Perillo, Knut Schoch, Nicola Wemyss, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini | D Major | 1 | 10B | 77 BPM |