"And The Angel Said Unto Them - Live" by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra had its release date on January 1, 1987. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 16 out of 54. On top of that, United States appears to be the country where this track was created. And The Angel Said Unto Them - Live is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of And The Angel Said Unto Them - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Darzu ist erschienen der Sohn Gottes, BWV 40: Chorale: Dazu ist erschienen der Sohn Gottes | Johann Sebastian Bach, Katherine Fuge, Joanne Lunn, Robin Tyson, William Towers, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 2 | 3B | 98 BPM | ||
| Messiah, HWV 56 / Pt. 2: He Was Despised | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Alfreda Hodgson | E♭ Major | 1 | 5B | 75 BPM | ||
| Messiah - Part 1: "Behold, A Virgin Shall Conceive...O Thou That Tellest Good Tidings" | George Frideric Handel, Carolyn Watkinson, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 1 | 3B | 83 BPM | ||
| Messiah / Part 2: "Thou art gone up on high" | George Frideric Handel, Gwynne Howell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 2 | 8B | 79 BPM | ||
| Glory To God In The Highest - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | D Major | 1 | 10B | 104 BPM | ||
| And The Glory Of The Lord | The Majesty And Glory Performers | A Major | 2 | 11B | 72 BPM | ||
| Oh Come, Immanuel | Anonymous, Jessye Norman, New York Choral Society, The American Boychoir, Empire Chamber Ensemble, Robert de Cormier | A Minor | 1 | 8A | 89 BPM | ||
| He Shall Feed His Flock Like A Shepherd - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | B♭ Major | 0 | 6B | 85 BPM | ||
| Sanctus from Requiem | Gabriel Fauré, Mormon Tabernacle Choir, Jerold D. Ottley, Columbia Symphony Orchestra | E♭ Major | 0 | 5B | 121 BPM | ||
| Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner: 3. Psalmus 109: Dixit Dominus | Claudio Monteverdi, Jill Gomez, Felicity Palmer, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, The Monteverdi Choir, The Philip Jones Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | A Minor | 2 | 8A | 79 BPM | ||
| Ring out ye crystal spheres - Written for the "Springhead Christmas Play", 1955 | Robert Armstrong, The Monteverdi Choir, John Eliot Gardiner | F Major | 1 | 7B | 73 BPM | ||
| HANDEL'S MESSIAH/OVERTURE | 101 Strings Orchestra | E Minor | 3 | 9A | 142 BPM | ||
| Thus Saith The Lord Of Hosts - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | F Major | 2 | 7B | 78 BPM | ||
| Oratorio de Noël, Op. 12: No. 4 Domine, ego credidi | Camille Saint-Saëns, Marcus Ullmann, Romano Giefer, Vocalensemble Rastatt, Les Favorites, Holger Speck | A Minor | 0 | 8A | 172 BPM | ||
| Traditional / Arr. Cullen: I Saw Three Ships | Traditional, Kiri Te Kanawa, Coventry Cathedral Choir, Lichfield Cathedral Choir, BBC Philharmonic, Robin Stapleton | A Major | 3 | 11B | 123 BPM | ||
| Messiah, HWV 56, Pt. 2: No. 32, Aria. But Thou Didst Not Leave His Soul in Hell (Soprano) | George Frideric Handel, Margaret Marshall, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Major | 0 | 4B | 83 BPM | ||
| Mass No.2 in G Major, D.167: VI. Agnus Dei | Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra | F Major | 0 | 7B | 159 BPM | ||
| For Unto Us a Child Is Born | The Oxford Trinity Choir | G Major | 2 | 9B | 98 BPM | ||
| Handel: Messiah, HWV 56, Pt. 1, Scene 1: Aria. "Ev'ry Valley Shall Be Exalted" | George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury, Allan Clayton, Academy of Ancient Music | E♭ Major | 2 | 5B | 109 BPM | ||
| Oh di Betlemme altera povertà (Cantata pastorale per la nascita di Nostro Signore): Introduzione | Alessandro Scarlatti, Mária Zádori, Capella Savaria, Pal Nemeth | A♭ Major | 1 | 4B | 99 BPM | ||
| Hodie Christus Natus Est | Jan Pieterszoon Sweelinck, The Bach Choir, Royal Philharmonic Orchestra, John Rutter | B♭ Major | 2 | 6B | 85 BPM | ||
| Ave Maria | Franz Schubert, Kathleen Battle, Leonard Slatkin, The Boys Choir Of Harlem, Orchestra of St. Luke's, New York Choral Artists | B♭ Major | 0 | 6B | 94 BPM | ||
| I Wonder As I Wander | Traditional, Kathleen Battle, Leonard Slatkin, The Boys Choir Of Harlem, Orchestra of St. Luke's, New York Choral Artists | G Major | 1 | 9B | 65 BPM | ||
| We Three Kings of Orient are | John Henry Hopkins, Jessye Norman, New York Choral Society, The American Boychoir, Empire Chamber Ensemble, Robert de Cormier | D Major | 1 | 10B | 93 BPM | ||
| Joy To The World | John Rutter, Traditional, The American Boychoir, James Litton | D Major | 1 | 10B | 78 BPM |