- BPM
- 174
- Key
- E Minor
- Camelot
- 9A
Summertime (from "Porgy & Bess") by Colm Wilkinson, George Gershwin Song Details
"Summertime (from "Porgy & Bess")" by Colm Wilkinson, George Gershwin had its release date on December 23, 2016. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Summertime (from "Porgy & Bess")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "The Essential". In this album, this song's track order is #7. The popularity of Summertime (from "Porgy & Bess") is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Summertime (from "Porgy & Bess") by Colm Wilkinson, George Gershwin having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Music Key
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 5%
- Loudness
- -12.639 dB
- Acousticness
- 96%
- Danceability
- 14%
- Energy
- 17%
- Instrumentalness
- 5%
- Liveness
- 9%
- Loudness
- 79%
- Speechiness
- 3%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | I Got Rhythm | George Gershwin, Ivar Anton Waagaard | C Major | 0 | 8B | 134 BPM | |
 | Scaramouche, Op. 165d: III. Brazileira (Version for clarinet and piano) | Darius Milhaud, Jean-Marc Fessard, Eliane Reyes | G Major | 3 | 9B | 80 BPM | |
 | Lyric Suite, Op. 54: IV. Troldtog (March of the Dwarfs) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | B♭ Major | 1 | 6B | 118 BPM | |
 | Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM | |
 | Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | |
 | Souvenir de Porto Rico (Marcha De Los Jibaros), Op. 31, RO 250 | Louis Moreau Gottschalk, Simon Ghraichy | E♭ Minor | 2 | 2A | 101 BPM | |
 | Café Music: II. Rubato, andante moderato | Paul Schoenfield, Lev Polyakin, Charles Bernard, Frances Renzi | E Major | 0 | 12B | 81 BPM | |
 | Petrouchka / Tableau I: Fête populaire de la semaine grasse | Igor Stravinsky, Cleveland Orchestra, Pierre Boulez | D Minor | 2 | 7A | 116 BPM | |
 | Má vlast, JB 1:112: II. Vltava "The Moldau" | Bedřich Smetana, Chicago Symphony Orchestra, Daniel Barenboim | G Major | 1 | 9B | 142 BPM | |
 | Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | |
 | Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | |
 | By The Sleepy Lagoon | Eric Coates, BBC Concert Orchestra, Vernon Handley | C Major | 0 | 8B | 80 BPM | |
 | Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | |
 | Serenade for Strings in E-Flat Major, Op. 6: I. Andante con moto | Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung | B♭ Major | 1 | 6B | 109 BPM | |
 | Symphony No. 2, Op. 30 "Romantic": II. Andante con tenerezza | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 1 | 7B | 138 BPM | |
 | Piano Concerto in F: II. Adagio | George Gershwin, Jon Nakamatsu, Rochester Philharmonic Orchestra, Jeff Tyzik | F♯ Major | 0 | 2B | 139 BPM | |
 | Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM | |
 | Concerto in F: 3. Allegro agitato | George Gershwin, Riccardo Chailly, Stefano Bollani, Gewandhausorchester | B♭ Major | 3 | 6B | 139 BPM | |
 | Of Thee I Sing: Overture (Arr. D. Rose for Orchestra) | George Gershwin, Michael Tilson Thomas, Buffalo Philharmonic Orchestra | G Minor | 2 | 6A | 95 BPM | |
 | Concerto No. 2, Op. 14: I. Allegro molto | Nikolai Kapustin, Dmitry Masleev, Vladimir Lande, Siberian State Symphony Orchestra | F Major | 4 | 7B | 116 BPM | |
 | Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | |
 | Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | |
 | A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | |
 | Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato - Remastered | Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein | A Minor | 1 | 8A | 82 BPM | |
 | 10 Pieces, Op. 12: No. 7, Prelude | Sergei Prokofiev, Olli Mustonen | C Major | 1 | 8B | 76 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records