The Lark Ascending by Ralph Vaughan Williams, Bradley Creswick/Northern Sinfonia of England/Richard Hickox, Richard Hickox, Northern Sinfonia Of England Song Details

"The Lark Ascending" by Ralph Vaughan Williams, Bradley Creswick/Northern Sinfonia of England/Richard Hickox, Richard Hickox, Northern Sinfonia Of England had its release date on June 5, 2000. This song appears to be safe for all ages as it is not explicit. The track order of this song in Ralph Vaughan Williams, Richard Hickox, Northern Sinfonia Of England's "Hickox conducts Vaughan Williams" album is number 1 out of 36. In terms of popularity, The Lark Ascending is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of The Lark Ascending by Ralph Vaughan Williams, Bradley Creswick/Northern Sinfonia of England/Richard Hickox, Richard Hickox, Northern Sinfonia Of England to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 3%
Loudness: -24.681 dB
Acousticness: 95%
Danceability: 15%
Energy: 7%
Instrumentalness: 75%
Liveness: 7%
Loudness: 59%
Speechiness: 5%
Valence: 5%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Má vlast, JB 1:112: II. Vltava "The Moldau"	Bedřich Smetana, Chicago Symphony Orchestra, Daniel Barenboim	G Major	1	9B	142 BPM
Prélude to the Afternoon of a Faun	Claude Debussy, Hanspeter Gmür, Nuremberg Symphony Orchestra	C Major	9	8B	85 BPM
Petite suite de concert, Op. 77: III. Un sonnet d'amour	Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman	A Major	0	11B	70 BPM
Thaïs: Méditation	Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero	D Major	0	10B	84 BPM
Appalachian Spring: VI. Meno mosso	Aaron Copland, Leonard Bernstein, New York Philharmonic	A♭ Major	0	4B	143 BPM
English Folk Song Suite: 3. March: Folk Songs from Somerset	Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner	B♭ Major	3	6B	119 BPM
Two English Idylls	George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner	C Major	1	8B	89 BPM
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103	Felix Mendelssohn, Péter Nagy	E♭ Major	0	5B	65 BPM
Carmen Suite No. 1: III. Intermezzo, Interlude before Act III	Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra	D Major	1	10B	134 BPM
Après un Rêve Op.7, No.1	Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa	F Minor	1	4A	96 BPM
Greensleeves	Ralph Vaughan Williams, Sir Simon Rattle, Berliner Symphoniker	C Minor	1	5A	80 BPM
On hearing the first Cuckoo in Spring	Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner	G Major	1	9B	80 BPM
Overture "A Midsummer Night's Dream", Op. 21	Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa	E Major	1	12B	139 BPM
Ladies In Lavender - Main Theme - (Ladies in Lavender)	Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits	D Major	2	10B	87 BPM
Karadec Suite, Op. 34: II. Chanson	Vincent d'Indy, Malmö Symphony Orchestra, Darrell Ang	E♭ Major	0	5B	71 BPM
Crown Imperial: A Coronation March	William Walton, BBC Concert Orchestra, Barry Wordsworth	C Major	4	8B	121 BPM
Pictures at an Exhibition (Orch. Ravel): Promenade I	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	F Major	0	7B	88 BPM
Prelude: 49th Parallel	Ralph Vaughan Williams, Northern Sinfonia of England/Bradley Creswick/Richard Hickox, Richard Hickox, Northern Sinfonia Of England	G Major	1	9B	84 BPM
The Planets Suite, Op. 32: IV. Jupiter	Gustav Holst, Vladimir Jurowski, London Philharmonic Choir, London Philharmonic Orchestra, Neville Creed	G Minor	3	6A	151 BPM
Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano)	Christoph Willibald Gluck, Yuja Wang	D Minor	0	7A	70 BPM
VII. Introduction (Prelude)	Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar	D Minor	3	7A	78 BPM
Song For Athene	John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton	B♭ Major	0	6B	97 BPM
English Pastoral Impressions: I. Spring Morning	John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley	E♭ Major	0	5B	101 BPM
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato	Ralph Vaughan Williams, Hallé, Sir Mark Elder	A Minor	0	8A	81 BPM
Dona nobis pacem: Agnus Dei	Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill	G Minor	1	6A	83 BPM