"King Tango" by Steve Rouse, Evelyn Loehrlein, Sidney King had its release date on September 8, 2017. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Steve Rouse: Morphic Resonance". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United States. Based on our statistics, King Tango's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With King Tango by Steve Rouse, Evelyn Loehrlein, Sidney King having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 7 Haikus: III. Poco andante | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | A♭ Major | 0 | 4B | 86 BPM | ||
| Romances, Op. 94: I. Nicht Schnell | James Markey | A Minor | 0 | 8A | 66 BPM | ||
| The Miraculous Mandarin, Op. 19, Sz. 73: V. Dance of the girl | Béla Bartók, Toronto Symphony Orchestra, Gustavo Gimeno | E Major | 0 | 12B | 121 BPM | ||
| American Hymnsong Suite: III Scherzo On Nettleton | Dwayne S. Milburn, The University of Southern Mississippi Wind Ensemble, Thomas V. Fraschillo | E♭ Major | 2 | 5B | 50 BPM | ||
| Ten Little Things: IV. The Wall | Steve Rouse, Matthew Nelson, Greg Byrne | F♯ Minor | 0 | 11A | 126 BPM | ||
| Solace (A Lyric Concerto): III. Gratitude | Joel Love, Zachary Shemon, Conservatory Wind Symphony of the University of Missouri—Kansas City, Steven D. Davis | A♭ Major | 1 | 4B | 75 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 5, The Quarrel | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | E Major | 0 | 12B | 121 BPM | ||
| II. Horkstow Grange | Percy Grainger, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Major | 2 | 6B | 130 BPM | ||
| Romance in F Major, Op. 36 | Camille Saint-Saëns, Ben Goldscheider, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | F Major | 0 | 7B | 110 BPM | ||
| Tableaux de Provence: II. Cansoun per ma mio | Paule Maurice, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | B♭ Major | 0 | 6B | 71 BPM | ||
| Light of Sothis: I. Grace | Amy Quate, Alex Mitchell, Jeremy Limb | C Major | 1 | 8B | 108 BPM | ||
| Blazhevich: Duet No. 4 | Vladislav Blazhvich, Joseph Alessi, Ian Bousfield | A Minor | 2 | 8A | 114 BPM | ||
| Give Us This Day: I. Moderately slow | David Maslanka, University of New Hampshire Wind Symphony, Andrew Boysen, Jr. | G Major | 0 | 9B | 68 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| Tuba Concerto in F Minor: II. Romanza | Ralph Vaughan Williams, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | B Minor | 1 | 10A | 84 BPM | ||
| Sextet for Brass in E-Flat Minor, Op. 30: II. Allegro vivace | Oskar Böhme, Center City Brass Quintet, Jack Sutte | C Minor | 1 | 5A | 156 BPM | ||
| Altar de Viento: I. Luz Eólica | Orquesta Sinfónica de Heredia, Eddie Mora, Alejandro Escuer | F♯ Major | 3 | 2B | 80 BPM | ||
| Blazhevich: Duet No. 7 | Vladislav Blazhvich, Joseph Alessi, Ian Bousfield | E♭ Major | 2 | 5B | 163 BPM | ||
| L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM | ||
| Cello Sonata: I. Quarter Note = 120 (Steady & Precise, but Expressive) | Steve Rouse, Paul York, Michael Gurt | D Major | 2 | 10B | 79 BPM | ||
| Tuba Concerto: II. Lento e mesto | Edward Gregson, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | E♭ Minor | 0 | 2A | 67 BPM | ||
| Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Prelude, Op. 25 | Gerald Finzi, Aurora Orchestra, Nicholas Collon | F Minor | 1 | 4A | 58 BPM | ||
| Romance for Strings, Piano and Harmonica | Ralph Vaughan Williams, Tommy Reilly, Academy of St. Martin in the Fields, Sir Neville Marriner | D♭ Major | 1 | 3B | 62 BPM |