Ned Rorem, The Fibonacci Sequence's 'End of Summer: Remembrance of Things Past: Fantasy' had a release date set for February 23, 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Rorem: End of Summer / Book of Hours / Bright Music". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, End of Summer: Remembrance of Things Past: Fantasy is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With End of Summer: Remembrance of Things Past: Fantasy by Ned Rorem, The Fibonacci Sequence having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | C Major | 0 | 8B | 138 BPM | ||
| Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): I. My Ship: Andante misterioso | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 73 BPM | ||
| Ethereal Reverie | Sebastian Verneau | D Major | 3 | 10B | 153 BPM | ||
| Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | ||
| Suite francaise d'après Claude Gervaise, Bransle de bourgogne | Francis Poulenc, Alexandre Tharaud | C Major | 1 | 8B | 90 BPM | ||
| Clairières dans le ciel: No. 1, Elle était descendue au bas de la prairie | Lili Boulanger, Julie Roset, Susan Manoff | C Major | 0 | 8B | 138 BPM | ||
| Mompou: Paisajes: No. 2, El lago | Federico Mompou, Leif Ove Andsnes | A Minor | 0 | 8A | 72 BPM | ||
| Chansons pour les oiseaux: No. 3, L'oiseau bleu | Louis Beydts, Julie Roset, Susan Manoff | G Major | 6 | 9B | 103 BPM | ||
| Das alte Lied (Arr. Hough) | Henry Love, Stephen Hough | E♭ Major | 0 | 5B | 63 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Angela Cheng, Jens Lindemann, CBC Radio Orchestra, Mario Bernardi | C Minor | 0 | 5A | 175 BPM | ||
| Suite for Harp, Op. 83: II. Toccata. Fast and gay | Benjamin Britten, Magdalena Hoffmann | D♭ Major | 0 | 3B | 135 BPM | ||
| Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | ||
| A Song before Sunrise | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
| Vocalise, Op. 34, No.14 | Sergei Rachmaninoff, Tomás Jerez, Manuel Corbacho | F Major | 2 | 7B | 133 BPM | ||
| Andante for Clarinet and Piano in E-flat Major | Othmar Schoeck, Anastasia Schmidlin, Denis Zhdanov | E♭ Major | 0 | 5B | 172 BPM | ||
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
| Our Town, Act II: "Hello There, George. Howdy, Emily" | Ned Rorem, Matthew DiBattista, Brendan Buckley, Margot Rood, Glorivy Arroyo, Gil Rose | C Major | 1 | 8B | 95 BPM | ||
| String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 4a, Prelude in E Minor | Dmitri Shostakovich, Sofia Sacco | G Major | 0 | 9B | 72 BPM | ||
| Scenes de la foret, Op. 123: No. 1, Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra | A♭ Major | 0 | 4B | 60 BPM | ||
| Preliudas in F Major / A Minor, MKČ 437 | Mikalojus Konstantinas Čiurlionis, Onutė Gražinytė | A Minor | 0 | 8A | 85 BPM | ||
| Concerto for Violin and Cello, Op. 102 in A Minor: II. Andante | Johannes Brahms, Leoš Čepický, Michal Kaňka, Stanislav Vavřínek, Komorní filharmonie Pardubice | D Major | 1 | 10B | 96 BPM | ||
| Belshazzar's Feast Suite, Op. 51 (Version for Piano): No. 2, Solitude | Jean Sibelius, Henri Sigfridsson | C Major | 0 | 8B | 128 BPM | ||
| Blumenleben, Op. 19: No. 2, Veilchen | Dora Pejačević, Natasa Veljkovic | B♭ Major | 0 | 6B | 171 BPM |