"Les ténebres de l'amour: IV. Nous sommes en les temps infâmes" by Roderick Williams, Roger Vignoles had its release date on January 21, 2022. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Les ténebres de l'amour: IV. Nous sommes en les temps infâmes's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Roderick Williams, Roger Vignoles's "Mirages: The Art of French Song" album is number 21 out of 32. In terms of popularity, Les ténebres de l'amour: IV. Nous sommes en les temps infâmes is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les ténebres de l'amour: IV. Nous sommes en les temps infâmes by Roderick Williams, Roger Vignoles to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dona nobis pacem: Agnus Dei | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | G Minor | 1 | 6A | 83 BPM | ||
| I said to Love, Op. 19b: At Middle-Field Gate in February | Gerald Finzi, Roderick Williams, Iain Burnside | A Major | 0 | 11B | 74 BPM | ||
| 3 Mélodies (1916) - orchestrated by Robert Carby: 1. Daphénéo | Erik Satie, Measha Brueggergosman, BBC Symphony Orchestra, David Robertson | F Minor | 0 | 4A | 133 BPM | ||
| Seven Poems by James Joyce, R. 51: IV. The Pleasant Valley | Ernest John Moeran, Roderick Williams, John Talbot | D♭ Major | 0 | 3B | 85 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Gloria sit Patri Domin | Gustav Mahler, Barbara Kubiak, Izabella Kłosińska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Warsaw Philharmonic Choir, Polish Radio Choir, Cardinal Stefan Wyszynski University Choir, Warsaw Boys Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | ||
| If There Were Dreams to Sell (Arr. F. Bye) | John Ireland, Roderick Williams, Iain Burnside | E♭ Major | 0 | 5B | 104 BPM | ||
| I Have Twelve Oxen | John Ireland, Roderick Williams, Iain Burnside | E♭ Major | 0 | 5B | 104 BPM | ||
| Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
| Griseldis: Introduction | Adolphe Adam, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Dario Salvi | B♭ Major | 2 | 6B | 78 BPM | ||
| La Damnation de Faust, Op. 24, H 111 / Pt. 1: Scène 1. "Le vieil hiver a fait place au printemps" | Hector Berlioz, Kenneth Riegel, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 1 | 9B | 75 BPM | ||
| Tit for Tat: No. 2, Autumn | Benjamin Britten, Roderick Williams, Iain Burnside | D Major | 1 | 10B | 89 BPM | ||
| A Child of Our Time, Part III: General Ensemble. I Would Know My Shadow and My Light | Michael Tippett, Edward Gardner, London Philharmonic Orchestra, Kenneth Tarver, Roderick Williams, Nadine Benjamin, Sarah Connolly | A Major | 1 | 11B | 89 BPM | ||
| Vier Lieder, Op. 2: II. Schenk Mir Deinen Goldenen Kamm (Jesus Bettelt) | Arnold Schoenberg, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | ||
| Songs of Farewell: There is an Old Belief | Hubert Parry, Tenebrae, Nigel Short | G Major | 0 | 9B | 62 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: II. Imple superna gratia - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä | A♭ Major | 3 | 4B | 96 BPM | ||
| Four Last Songs: II. Tired. Andante sostenuto - Pochissimo animando - Tempo I | Ralph Vaughan Williams, Andrew Davis, Bergen Philharmonic Orchestra, Roderick Williams, Sir Andrew Davis | B♭ Minor | 0 | 3A | 94 BPM | ||
| Requiescat | George Butterworth, Roderick Williams, Iain Burnside | A♭ Major | 2 | 4B | 129 BPM | ||
| A Child of Our Time, Part III: A Spiritual. Deep River, My Home Is over Jordan | Michael Tippett, Edward Gardner, London Philharmonic Orchestra, Kenneth Tarver, Roderick Williams, Nadine Benjamin, Sarah Connolly | A Major | 1 | 11B | 89 BPM | ||
| Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 74 BPM | ||
| The Passing of the Year: No. 5, Ah, Sun-flower! | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | A Minor | 0 | 8A | 69 BPM | ||
| Trois chansons de Charles d'Orléans, L.62: 2. Quant j'ai ouy le tabourin | Claude Debussy, Nicola Jenkin, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 0 | 11A | 85 BPM | ||
| Copland: Old American Songs, Set 2: No. 1, The Little Horses | Aaron Copland, Jennifer Larmore, Antoine Palloc | A♭ Major | 2 | 4B | 81 BPM | ||
| Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | A Major | 1 | 11B | 133 BPM | ||
| 5 Elizabethan Songs: No. 4, Sleep | Ivor Gurney, Roderick Williams, Susie Allan | G Minor | 0 | 6A | 96 BPM | ||
| Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM |