George Butterworth, Roderick Williams, Iain Burnside's ' "Requiescat" was released on its scheduled release date, July 27, 2010. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Requiescat's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 25 in English Song Series, Vol. 20: Butterworth by George Butterworth, Roderick Williams. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Requiescat's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Requiescat by George Butterworth, Roderick Williams, Iain Burnside is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scheherezade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | G Major | 1 | 9B | 92 BPM | ||
| Introit, Op. 6 | Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 96 BPM | ||
| Serenade for Orchestra | William Grant Still, Royal Scottish National Orchestra, Avlana Eisenberg | A Major | 1 | 11B | 77 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM | ||
| Westminster Waltz | Robert Farnon, Vernon Handley, BBC Concert Orchestra, Martin Loveday | D Major | 1 | 10B | 174 BPM | ||
| A Shropshire Lad: The Lads in Their Hundreds | George Butterworth, Bryn Terfel, Malcolm Martineau | F♯ Major | 0 | 2B | 133 BPM | ||
| Enigma Variations: Ysobel | London Philharmonic Orchestra | C Major | 0 | 8B | 105 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM | ||
| Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | ||
| Les soirs illuminés par l'ardeur du charbon, L.150 (Arr. by Colin Matthews) | Claude Debussy, Colin Matthews, Hallé, Sir Mark Elder | D♭ Major | 0 | 3B | 79 BPM | ||
| A Moorside Suite: I. Scherzo (Arr. P. Lane) | Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland | D Minor | 2 | 7A | 128 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) | Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec | B Minor | 0 | 10A | 75 BPM | ||
| Suite No. 2, P. 138: III. Campanae Parisiennses - Aria: Andante Mosso | Ottorino Respighi, RTÉ National Symphony Orchestra | C Major | 0 | 8B | 76 BPM | ||
| Violin Concerto, Op. 14: II. Andante | Samuel Barber, James Buswell, Royal Scottish National Orchestra, Marin Alsop | E Major | 0 | 12B | 83 BPM | ||
| Karelia Suite, Op. 11: II. Ballade. Tempo di menuetto | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Minor | 1 | 8A | 59 BPM | ||
| Holberg Suite, Op. 40: II. Sarabande (Version for Strings) | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 0 | 9B | 109 BPM | ||
| 4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
| A Downland Suite: III. Minuet. Allegretto grazioso (Version for String Orchestra) | John Ireland, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | ||
| Two English Idylls | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 89 BPM | ||
| Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM |