On November 1, 1992, the song "Naikhe Bardas Hokhal" was released by Bijli Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 8 in Chadhal Mor Jawaniya by Bijli Rani, Rekha Rani, Dabbu Shukla. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Naikhe Bardas Hokhal is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Naikhe Bardas Hokhal by Bijli Rani is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sharda Bhavani Maa Nihariyo Bundeli Dharmik Rai | Raju Patel | A♭ Major | 8 | 4B | 85 BPM | ||
| Is Sohne Sulkhane Maahi Tu | Sadhvi Purnima Ji | E♭ Major | 7 | 5B | 90 BPM | ||
| Dil Gaya To Gaya | Mohammed Aziz | E♭ Major | 7 | 5B | 154 BPM | ||
| Bhangiya Mein Maja Ka Paie | Kalpana Patowary | B♭ Minor | 5 | 3A | 154 BPM | ||
| Kanche Badna Kanche Mokor | Ranjit Mahto | B♭ Minor | 8 | 3A | 116 BPM | ||
| Jaikara Jaikara Shyam Prabhu Ka | Sanju Sharma | G Major | 8 | 9B | 140 BPM | ||
| Rudal Panjiyar Ka Bhagait Bhag 1 - Maithili | Rudal Panjiyar | G Major | 6 | 9B | 84 BPM | ||
| Kisi Najar Ko Tera | Dimple Bhumi | A Major | 5 | 11B | 93 BPM | ||
| Geri Geri Birakha Bhaya -1 | Prakash Mali | A♭ Major | 8 | 4B | 96 BPM | ||
| Ankhiya Me Bhar Ke Asarwa | Bharat Sharma | B♭ Major | 7 | 6B | 145 BPM | ||
| Khuda Aye Pak Ki Rehmat Kahar Hai Beti | Tahir Chishti | F Major | 9 | 7B | 102 BPM | ||
| Shab e Mahtob شب مهتاب | Ahmad Wali | E Major | 4 | 12B | 90 BPM | ||
| Dhadhkat Aagi Ma | Gorelal Burman, Ratan Sabiha | E Major | 7 | 12B | 138 BPM | ||
| Lale Lal Bhawani | Kunj Bihari Mishr | F♯ Minor | 8 | 11A | 150 BPM | ||
| Dulha Vama Kaniya | Poonam Mishra | A Major | 9 | 11B | 95 BPM | ||
| Saji Lagli Dulhan Dekho | Prem Kumar, Tripti Shakya, Bijli Rani | A♭ Major | 6 | 4B | 90 BPM | ||
| Bhai Nitish Ji Ke | Bikki Bahar, Bijli Rani | D♭ Major | 6 | 3B | 144 BPM | ||
| O Beiman Re | Kukila Sarkar | D♭ Minor | 8 | 12A | 146 BPM | ||
| Baba Ho Baba | Arvind Singh | G Major | 7 | 9B | 138 BPM | ||
| Vari Jau Vahalajine | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Lali Lali Bindiya | Madan Rai | D♭ Minor | 4 | 12A | 80 BPM | ||
| Mediye Melyo Sonano | Master Rana | C Major | 4 | 8B | 85 BPM | ||
| Sui Ganthwaai Le Phulesari Peeche Se | Byas Naresh Kumar Yadav, Bijli Rani, Kiran Rani | C Major | 5 | 8B | 80 BPM | ||
| De Daiyo Baba | Satish | A♭ Major | 9 | 4B | 162 BPM | ||
| Haay Re Jiyara | Bijli Rani | A♭ Major | 9 | 4B | 139 BPM |