"En Bateau-Mouche" by Marc Fortier had its release date on May 12, 2016. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 12 in French Classical Favorites by Marc Fortier. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. En Bateau-Mouche is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of En Bateau-Mouche by Marc Fortier is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Dolce Vita | Marc Fortier | E♭ Major | 1 | 5B | 63 BPM | ||
| Skater's Waltz | Norddeutsche Philharmonie Symphony | D Major | 2 | 10B | 105 BPM | ||
| Fučík: Der alte Brummbär, Op. 210 | Julius Fučík, Václav Neumann, Jiří Formacek, Czech Philharmonic | F Major | 2 | 7B | 82 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Lyric Waltz (Suite for Jazz Orchestra No. 1) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E♭ Major | 2 | 5B | 103 BPM | ||
| Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
| Rigoletto, Act II, Caro nome, Rigoletto, Act IV: La donna e mobile (Arr. For orchestra) | Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
| Victorian Waltz | Hargreaves & Smith | G Major | 1 | 9B | 165 BPM | ||
| Little Serenade | Ernest Tomlinson, Slovak Radio Symphony Orchestra | A Major | 0 | 11B | 143 BPM | ||
| El bello Danubio azul, Op. 314 | Orquesta De Conciertos Vienesa, Alfred Scholz | D Major | 2 | 10B | 95 BPM | ||
| Bells across the Meadows | Albert Ketèlbey, New Symphony Orchestra, Robert Sharples | E♭ Major | 2 | 5B | 59 BPM | ||
| Essence of Zen | Rylandiaa | E Major | 3 | 12B | 175 BPM | ||
| Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Concertgebouw Orchestra, Charles Münch | D Major | 2 | 10B | 81 BPM | ||
| 8 Humoresques, Op. 101, B. 187: No. 7, Poco lento e grazioso (Arr. for Violin & String Orchestra by Anonymous) | Antonín Dvořák, Budapest Strings, Béla Bánfalvi | F♯ Major | 0 | 2B | 106 BPM | ||
| Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
| Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
| The Sleeping Beauty, Ballet Suite, op. 66a: Waltz | New Philharmonia Orchestra London, Lawrence Siegel | B♭ Major | 1 | 6B | 108 BPM | ||
| Swan Lake, Op. 20: No. 2 Valse | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | A Major | 1 | 11B | 96 BPM | ||
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
| Un ballo in Maschera: Saper vorreste - Instrumental Version | Giuseppe Verdi, Orchestra Sinfonica Moldava, Silvano Frontalini | D Major | 0 | 10B | 85 BPM | ||
| La Bayadere, Act II: 33. "Wedding Variation - Gamzatti" | Evergreen Symphony Orchestra, Kevin Galiè | A♭ Major | 1 | 4B | 78 BPM | ||
| Natasha's Waltz - From War and Peace (1956) | Audrey Hepburn, Nino Rota | C Major | 4 | 8B | 169 BPM | ||
| A Little Birch Tree | Evgeny Dreizin, Nikolai Nazarov, Separate Exemplary Orchestra of USSR Defense Ministry | E♭ Minor | 2 | 2A | 65 BPM | ||
| Rigoletto "Scorrendo muti remota via" | Alessio Busanel And His Orchestra | F Major | 3 | 7B | 69 BPM | ||
| La Danza | Marc Fortier | G Minor | 2 | 6A | 132 BPM | ||
| 8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM |