Leo Fall, Liselotte Losch, Peter Anders, Cologne Radio Orchestra, Franz Marszalek's 'Madame Pompadour: Ein Intimes Souper' had a release date set for June 29, 2022. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 15 in Classical Dream Time, Vol. 7 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Madame Pompadour: Ein Intimes Souper's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Madame Pompadour: Ein Intimes Souper by Leo Fall, Liselotte Losch, Peter Anders, Cologne Radio Orchestra, Franz Marszalek is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bellini: I puritani: Introduzione (Orchestra) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| H.M.S. Pinafore / Act 1: The nightingale sighed | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 0 | 4B | 85 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 1 "Ho, Ho! Wer spek-spektakelt" [Stepmother, Father] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E Major | 1 | 12B | 163 BPM | ||
| Komm, lieber Mai und mache | Eva Lind | B♭ Major | 3 | 6B | 79 BPM | ||
| Der fidele Bauer, Act II "Der Professor": Bauernmarsch | Leo Fall, Laura Scherwitzl, Franz Suhrada, Rupert Bergmann, Franz Lehár Orchester, Vinzenz Praxmarer | F Major | 2 | 7B | 81 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 12 in D Minor (Arr. for Orchestra by Albert Parlow) | Johannes Brahms, Munich Radio Orchestra, Roberto Abbado | E Major | 4 | 12B | 121 BPM | ||
| Los Gavilanes: "No hay por que gemir" | Coro Cantores de Madrid, Teresa Berganza | E Major | 2 | 12B | 93 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Alle sind wir Sünder (Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | F Major | 4 | 7B | 78 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Bleib stehn, bleib stehn!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E Major | 1 | 12B | 79 BPM | ||
| Non ti scordar di me (Orch. G. Chiaramello) | Ernesto de Curtis, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 2 | 7B | 85 BPM | ||
| My Fair Lady: Ascot Gavotte (Orchester) | Alfred Schieske, Boris Greverus, Rex Gildo, Hans Hardt, Paul Hubschmid, Karin Hubner, Friedrich Schoenfelder | G Major | 2 | 9B | 117 BPM | ||
| Carmen, Act I: Carmen, sur tes pas | Georges Bizet, Jean Barney, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | F Major | 1 | 7B | 83 BPM | ||
| Zirkus, Op. 110 (Version for Orchestra) | Philipp Fahrbach, Jr., Nuremberg Symphony Orchestra, Christian Simonis | B♭ Major | 2 | 6B | 119 BPM | ||
| Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper | B♭ Major | 1 | 6B | 109 BPM | ||
| Bellini: I puritani: "Cavalier! – Se t’è d’uopo di consiglio" (Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Der Vogelhändler: Ich bin die Christel von der Post | Carl Zeller, Renate Holm, Frank Fox | E Major | 2 | 12B | 78 BPM | ||
| Chianti-Lied | Rudolf Schock | G Major | 4 | 9B | 140 BPM | ||
| Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
| Komm Zigan | Rudolf Schock | A Major | 3 | 11B | 106 BPM | ||
| Marienbader Polka | Frantisek Matej Hilmar, R. Glembotzki, WDR Rundfunkorchester Köln, Alfred Walter | A Major | 1 | 11B | 79 BPM | ||
| Die Kaiserin, Akt I: "Die Blumen" | Leo Fall, Orchester des Kölner Rundfunks, Franz Marszalek, Anny Schlemm, Franz Fehringer, Willy Schneider, Gretl Schörg, Willy Hofmann, Paul Bürks, Annelie Jansen, Ursula Feldhege, Franz Wolf, Hans Remagen, Julius Gamon | E Major | 2 | 12B | 69 BPM | ||
| Hereinspaziert, op. 518, Walzer | Großes Wiener Rundfunkorchester, Robert Stolz | G Major | 3 | 9B | 68 BPM | ||
| Leo Fall: Kind, Du Kannst Tanzen | Leo Fall, Das große Wiener Funkorchester | C Major | 3 | 8B | 66 BPM | ||
| Don Giovanni, K. 527, Act II: Finale - Don Giovanni, a cenar teco | Wolfgang Amadeus Mozart, Benjamin Holder, Hungarian Studio Orchestra, Hungarian Studio Choir | A Major | 1 | 11B | 52 BPM | ||
| Priesterchor aus der Oper " Die Zauberflöte " | Menskes Chöre | D Major | 2 | 10B | 151 BPM |