Enigma Variations, Op. 36: Variation 9: Nimrod by Edward Elgar, Andrew Davis, Philharmonia Orchestra Song Details

"Enigma Variations, Op. 36: Variation 9: Nimrod" by Edward Elgar, Andrew Davis, Philharmonia Orchestra had its release date on 1982. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 20 in Elgar: Enigma Variations, Op. 36; Pomp and Circumstance Marches Nos. 1-5, Op. 39 by Edward Elgar, Andrew Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Enigma Variations, Op. 36: Variation 9: Nimrod is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Enigma Variations, Op. 36: Variation 9: Nimrod by Edward Elgar, Andrew Davis, Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -22.656 dB
Acousticness: 95%
Danceability: 11%
Energy: 7%
Instrumentalness: 83%
Liveness: 12%
Loudness: 62%
Speechiness: 4%
Valence: 4%

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