- BPM
- 70
- Key
- A♭ Major
- Camelot
- 4B
Poème Électronique by Edgard Varèse Song Details
"Poème Électronique" by Edgard Varèse had its release date on February 1, 2010. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Poème Électronique's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Sound Unbound : Excerpts And Allegories From The Sub Rosa Audio Archives". In this album, this song's track order is #26. Poème Électronique is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Poème Électronique by Edgard Varèse having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Music Key
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -16.046 dB
- Acousticness
- 80%
- Danceability
- 47%
- Energy
- 23%
- Instrumentalness
- 76%
- Liveness
- 14%
- Loudness
- 73%
- Speechiness
- 20%
- Valence
- 18%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Adoration of the Earth - Dance of the Earth | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | D Minor | 4 | 7A | 115 BPM | |
 | Density 21. 5 | Edgard Varèse, Lawrence Beauregard | G Major | 0 | 9B | 79 BPM | |
 | Celestial Nocturne in D Minor | Arjun Tara | C Minor | 0 | 5A | 100 BPM | |
 | Symphony No. 3: I. Langsom, breit, ruhig | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | C Minor | 1 | 5A | 82 BPM | |
 | The Rite of Spring: Part One: Adoration of the Earth: Games of the Rival Tribes | Igor Stravinsky, Teodor Currentzis, musicAeterna | G Major | 4 | 9B | 80 BPM | |
| Offrandes: II. La croix du sud | Edgard Varèse, Pierre Boulez, Ensemble Intercontemporain | C Major | 1 | 8B | 73 BPM | |
 | Fratres (Version for String Quartet) | Arvo Pärt, Rudolf Werthen, Arnold Kobyliansky, Michael Kugel, France Springuel | C Minor | 0 | 5A | 73 BPM | |
 | Cello Concerto, C. 65: II. Allegro appassionato | William Walton, Sinfonia Of London, John Wilson, Jonathan Aasgaard | E♭ Minor | 1 | 2A | 109 BPM | |
 | Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | |
 | Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | |
 | String Quartet No. 1 in C Major, Op. 37: II. Andantino semplice. In modo d’una canzone | Karol Szymanowski, Belcea Quartet | F♯ Minor | 1 | 11A | 83 BPM | |
 | Imaginary Landscape No. 1 | The Manhattan Percussion Ensemble, Xenia Cage, Doris Dennison, Margaret Jansen, John Cage | C Major | 3 | 8B | 142 BPM | |
 | Void Pulse | Astrid Voix | D♭ Minor | 0 | 12A | 80 BPM | |
 | Ballet Mecanique | George Antheil, The Philadelphia Virtuosi Chamber Orchestra, Daniel Spalding | D♭ Major | 4 | 3B | 146 BPM | |
 | Adams: Harmonielehre, Pt. II: the Anfortas Wound | John Adams, Edo de Waart, San Francisco Symphony | G Minor | 0 | 6A | 67 BPM | |
 | Density 21.5 for Flute Alone | Edgard Varèse, Peter-Lukas Graf | D Major | 0 | 10B | 79 BPM | |
 | Preludio de Luciérnagas | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | B Minor | 1 | 10A | 79 BPM | |
 | Breathturn, Pt. 1 | John Zorn, Mika Stoltzman, Richard Stoltzman, Fred Sherry | D♭ Minor | 0 | 12A | 80 BPM | |
 | Turangalîla-Symphonie: I. Introduction | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | B Major | 4 | 1B | 152 BPM | |
 | City City City | Derek Bailey, John Zorn, George Lewis | A Minor | 2 | 8A | 112 BPM | |
 | Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | |
 | 7 Papillons: No. 5, — | Kaija Saariaho, Anssi Karttunen | D Major | 2 | 10B | 61 BPM | |
 | Composition 1960 No. 7 | La Monte Young, Jeroen van Veen | B Minor | 0 | 10A | 58 BPM | |
 | Atmosphères (1961) | György Ligeti, Wiener Philharmoniker, Claudio Abbado | G Major | 1 | 9B | 141 BPM | |
 | The Rite of Spring (1913 Version): The Sacrifice, Part II: Ritual of the Ancients | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A♭ Minor | 1 | 1A | 100 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records