"Opener" by Annette Focks had its release date on March 8, 2019. This song is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Ostwind / Aris Ankunft (Original Score)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Opener is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Opener by Annette Focks having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dr. Gilbert Blythe | Ari Posner, Amin Bhatia | F Minor | 2 | 4A | 150 BPM | ||
| Travelling to Marly | Peter Gregson | B Minor | 0 | 10A | 76 BPM | ||
| Opening | Craig Armstrong | D Minor | 2 | 7A | 91 BPM | ||
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| End of The Journey | Mychael Danna | E Minor | 3 | 9A | 143 BPM | ||
| Valedale Hymn - instrumental | Folk' Avant, Star Stable | C Minor | 2 | 5A | 132 BPM | ||
| Ein Mädchen namens Willow | Fabian Römer, Ein Mädchen namens Willow | C Major | 2 | 8B | 76 BPM | ||
| A Big Day Ahead | Ari Posner, Amin Bhatia | G Major | 2 | 9B | 122 BPM | ||
| Credits | Dima Orsho, Annette Focks | D Major | 4 | 10B | 63 BPM | ||
| Front Titles (Inkheart) | Javier Navarrete | B Minor | 1 | 10A | 66 BPM | ||
| Fütterung | Annette Focks | A Major | 1 | 11B | 117 BPM | ||
| Evacuating London | Harry Gregson-Williams | E Minor | 2 | 9A | 152 BPM | ||
| Palast Hauptthema | Martin Lingnau, Ingmar Süberkrüb | F Minor | 4 | 4A | 111 BPM | ||
| Rigel Child | Andrea Farri | B Minor | 1 | 10A | 170 BPM | ||
| Die Klavierballade | Stefan Will | C Major | 1 | 8B | 80 BPM | ||
| Poachers | Armand Amar | A♭ Major | 3 | 4B | 98 BPM | ||
| The Mystery of Existence (Soundtrack) - Adventure Club of Europe | Andreas Kübler | G Major | 8 | 9B | 180 BPM | ||
| Auf dem Gipfel | Annette Focks | E Major | 0 | 12B | 56 BPM | ||
| Alltag | Martin Lingnau, Ingmar Süberkrüb | B Minor | 2 | 10A | 110 BPM | ||
| Ouverture to the Motion Picture Hanni & Nanni | Deutsches Filmmusikorchester | B♭ Major | 2 | 6B | 137 BPM | ||
| Walks in Moorland | Sergeant Tom, Star Stable | G Major | 0 | 9B | 67 BPM | ||
| Imogen and Agreus | Nathan Barr, Harry Risoleo | A♭ Major | 2 | 4B | 80 BPM | ||
| Der schwarze Mann | Annette Focks | F Major | 0 | 7B | 65 BPM | ||
| Abandonos Finales | Grandes Tardes | D♭ Major | 2 | 3B | 147 BPM | ||
| Comptine d'un Autre Ete | Edward Cullen | B Minor | 1 | 10A | 190 BPM |