Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi's 'Francesca da Rimini, Op. 4: Preludio' had a release date set for 1994. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #1 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. In terms of popularity, Francesca da Rimini, Op. 4: Preludio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4: Preludio by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4: Preludio being at 107 BPM, the half-time would be 54 BPM with a double-time of 214 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Humperdinck : Hänsel und Gretel : Act 1 "Doch halt, wo bleiben die Kinder?" [Father, Stepmother] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 133 BPM | ||
| Francesca da Rimini, Op. 4, Act IV: Va, non piangere! | Riccardo Zandonai, Christina Vasileva, Benedicte Tauran, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 132 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Tosca, Act I: Un tal baccano in chiesa! Bel rispetto! | Giacomo Puccini, Matteo Macchioni, Ludovic Tezier, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Francesca da Rimini, Act IV: O Biancofiore, piccola tu sei! (Live) | Riccardo Zandonai, Leyla Gencer, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Silvana Alessio Martinelli, Franco Capuana | D♭ Minor | 2 | 12A | 176 BPM | ||
| La Bohème / Act 3: "Sa dirmi, scusi" - Live | Giacomo Puccini, Anna Netrebko, Gerald Haeussler, Tiziano Bracci, Bavarian Radio Symphony Orchestra, Bertrand de Billy | B Major | 0 | 1B | 65 BPM | ||
| Giulietta e Romeo / Act 3: Giulietta! Son io! | Riccardo Zandonai, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | F Major | 1 | 7B | 86 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
| Otello / Act 2: "Non ti crucciar" | Giuseppe Verdi, Leo Nucci, Anthony Rolfe Johnson, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 1 | 7B | 49 BPM | ||
| Francesca da Rimini, Op. 4, Act III: Abbiamo i suonatori | Riccardo Zandonai, Sally Wilson, Benedicte Tauran, Kim-Lillian Strebel, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 88 BPM | ||
| Francesca da Rimini, Op. 4, Act I: Questi giullari et uomini di corte | Riccardo Zandonai, Levente Molnár, Aaron Judisch, Philharmonisches Orchester Freiburg, Fabrice Bollon | A♭ Major | 2 | 4B | 87 BPM | ||
| Francesca da Rimini, Act I: Viene! Viene! Madonna (Live) | Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Coro La Scala di Milano, Gianandrea Gavazzeni | E♭ Major | 5 | 5B | 140 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Le ciel est bleu !" (Chœur, Nourabad, Nadir) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Jacques Mars, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | F Major | 1 | 7B | 86 BPM | ||
| Tosca, Act II: Se la giurata fede | Giacomo Puccini, Eleonora Buratto, Ludovic Tezier, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Gli Ugonotti: Non lungi | Giacomo Meyerbeer, Franco Corelli, Franco Ferraris, Philharmonia Orchestra | D Minor | 2 | 7A | 102 BPM | ||
| Puccini : La bohème : Act 3 "Donde lieta uscì" [Mimì] | Giacomo Puccini, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra, James Conlon, Orchestre National De France | D♭ Major | 0 | 3B | 87 BPM | ||
| Gounod: Faust, Act 5: "Doux nectar dans ton ivresse" (Chœur, Mephistophélès, Faust) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | ||
| Carmen / Act 2: Non, tu ne m'aimes pas! | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 178 BPM | ||
| Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | D Minor | 2 | 7A | 102 BPM | ||
| Penella: Don Gil de Alcalá: "Bendita cruz" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | D Major | 1 | 10B | 81 BPM | ||
| Rigoletto / Act 3: Maddalena? / Aspettate | Giuseppe Verdi, Elena Obraztsova, Plácido Domingo, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | B Major | 0 | 1B | 92 BPM | ||
| Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
| Wagner: Lohengrin, Act 2: "Zurück Elsa! Nicht länger will ich dulden" (Ortrud, Elsa, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Deborah Polaski, Emily Magee, Staatskapelle Berlin | C Major | 2 | 8B | 77 BPM | ||
| Giménez & Vives: El húsar de la guardia: "Un pobre nido" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | B♭ Major | 1 | 6B | 127 BPM |