Max Reger, Gerhard Oppitz, Bamberg Symphony, Horst Stein's 'Piano Concerto In F Minor, Op. 114: 2. Largo con gran expressione' had a release date set for June 29, 2018. This song appears to be safe for all ages as it is not explicit. The track order of this song in Max Reger, Various Artists's "Max Reger - Orchestral Edition - Concertos, Sinfonietta" album is number 18 out of 22. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Piano Concerto In F Minor, Op. 114: 2. Largo con gran expressione is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto In F Minor, Op. 114: 2. Largo con gran expressione by Max Reger, Gerhard Oppitz, Bamberg Symphony, Horst Stein to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lieder ohne Worte, Op. 67: No. 4 Presto "Spinnerlied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | C Major | 3 | 8B | 159 BPM | ||
| 2 Romances For Violin And Orchestra, Op. 50: No. 1 In G Major | Max Reger, Hans Maile, Deutsches Symphonie-Orchester Berlin, Uros Lajovic | D Major | 2 | 10B | 74 BPM | ||
| Requiem, Op. 9: VI. Agnus Dei | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
| Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 111 BPM | ||
| Holberg Suite, Op. 40 (Version for Piano): II. Sarabande. Andante | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
| Symphony No. 14, "Morgenen" (the Morning), BVN 336: II. Upaagtede morgenstjerner [Unnoticed morning stars] | Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 0 | 7B | 81 BPM | ||
| Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | ||
| Petite messe solennelle: XIV. Prélude religieux | Gioachino Rossini, Philip Mayers, Phillip Moll | F♯ Minor | 0 | 11A | 146 BPM | ||
| Introduttione III in B-Flat Major, Op. 4 No. 3: II. Andante | Pietro Locatelli, Fabio Biondi, Europa Galante | A♭ Major | 1 | 4B | 123 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | ||
| Caplet: Quintet for Piano & Winds, Op. 8: II. Adagio | André Caplet, Les Vents Français | F♯ Minor | 1 | 11A | 131 BPM | ||
| Remember Me (Arr. Hough for Piano) - From "Coco" | Stephen Hough | E♭ Major | 0 | 5B | 68 BPM | ||
| Vier ernste Gesänge: Ich wandte mich und sahe an alle, Op. 121/2 | Johannes Brahms, Max Reger, Igor Levit | G Minor | 0 | 6A | 71 BPM | ||
| Neon Waves | Lumi Risto | D Major | 1 | 10B | 130 BPM | ||
| Contes bleus, No. 2 Op. 122 | Cécile Chaminade, Eric Parkin | E♭ Major | 1 | 5B | 110 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | A Minor | 1 | 8A | 88 BPM | ||
| 9 Organ Pieces, Op. 129: No. 7, Intermezzo in F Minor | Max Reger, Ludger Lohmann | G Major | 1 | 9B | 65 BPM | ||
| Le tombeau de Couperin, M. 68: II. Fugue (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | E♭ Major | 0 | 5B | 68 BPM | ||
| Violin Sonata, CFF 123: IV. Allegretto poco mosso | César Franck, Augustin Dumay, Maria João Pires | A Major | 2 | 11B | 73 BPM | ||
| Soir - Matin, Op. 76: I. Soir. Andante cantabile | Mel Bonis, Trio Wanderer | E♭ Major | 0 | 5B | 68 BPM | ||
| Requiem, Op. 9: I. Introït | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | F Major | 1 | 7B | 76 BPM | ||
| 10 Pieces, Op. 24: 4. Romance | Jean Sibelius, Håvard Gimse | B♭ Major | 0 | 6B | 68 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | E♭ Major | 0 | 5B | 68 BPM | ||
| Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (c) Variation II | Joseph Haydn, Quatuor Arod | C Minor | 2 | 5A | 82 BPM | ||
| The Legend, Op. 17 | Henryk Wieniawski, Filharmonie Brno, Petr Altrichter, Jan Stanovsky | G Minor | 1 | 6A | 112 BPM |