George Dyson, Simon Callaghan's 'Primrose Mount' had a release date set for October 16, 2020. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Primrose Mount's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 57 in Dyson: Complete Music for Piano by George Dyson, Simon Callaghan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Primrose Mount is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Primrose Mount by George Dyson, Simon Callaghan is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
| When Music Sounds: 1. Prelude: To The Wild | Rebecca Dale, Cantus Ensemble, The Studio Orchestra, Jeff Atmajian | G Major | 2 | 9B | 85 BPM | ||
| Wiegenlied (Arr. Andrew Schultz) | Johannes Brahms, Adelaide Symphony Orchestra, Ron Spigelman | E♭ Major | 0 | 5B | 76 BPM | ||
| Prelude: Allegro - Meno mosso - Alla breve (Allegro) - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 74 BPM | ||
| Rakastava, Op. 14: I. The Lover. Andante con moto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | B♭ Major | 0 | 6B | 72 BPM | ||
| Short Suite: Aria | David Lyon, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 75 BPM | ||
| Roumanian Folk Dances for Orchestra, BB 76 (Sz. 68): 4. Horn Dance (from Bisztra) | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 1 | 10B | 170 BPM | ||
| Spring Sorrow (Arr. J. Lloyd Webber for cello and piano) | John Ireland, Julian Lloyd Webber, John Lenehan | F Major | 0 | 7B | 78 BPM | ||
| Canção pequena | Michael Cohen, Alex Klein, Rita Costanzi | E♭ Minor | 0 | 2A | 70 BPM | ||
| Four Songs for Sailors: IV. A Wet Sheet and a Flowing Sea (Allegro) | George Dyson, BBC Concert Orchestra | E♭ Major | 2 | 5B | 80 BPM | ||
| Lullaby for Penelope | Leslie Osborne, Studio 2 Concert Orchestra, Reginald Kilbey | D Major | 1 | 10B | 168 BPM | ||
| Adriana Lecouvreur, Act 2: Intermezzo | Francesco Cilea, Opera Australia Orchestra, Andrea Molino | F Major | 0 | 7B | 124 BPM | ||
| Fractured Mind | Orithia | D♭ Major | 1 | 3B | 101 BPM | ||
| Where the Rainbow Ends Suite (version for orchestra): No. 1a Rainbow Land | Roger Quilter, Slovak Radio Symphony Orchestra, Adrian Leaper | A Major | 0 | 11B | 69 BPM | ||
| Homework Suite: Berceuse | Gordon Getty, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 66 BPM | ||
| Saeterjentens Sondag | Johan Svendsen, Neeme Järvi, Bergen Philharmonic Orchestra, Melina Mandozzi | D Major | 0 | 10B | 95 BPM | ||
| Intermezzo and Serenade from Hassan | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 87 BPM | ||
| Concert Suite: IV. When I Am Laid In Earth, "Dido's Lament" from Dido and Aeneas (Arr. Leopold Stokowski) | Henry Purcell, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 82 BPM | ||
| Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento) | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
| 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Minor | 0 | 9A | 79 BPM | ||
| A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 80 BPM | ||
| Oíche Mhaith a Sheáin | Máire Carroll, Kristan Swain | D Major | 0 | 10B | 62 BPM | ||
| Montgomery Variations: I. The Decision – Andante deciso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 0 | 7A | 141 BPM | ||
| Woodwinds in the park | Jalaapeno | F Major | 0 | 7B | 177 BPM | ||
| Glazunov: Meditation, Op. 32 | Alexander Glazunov, Chloë Hanslip, Paul Mann, London Symphony Orchestra | C Major | 2 | 8B | 108 BPM |