"Springing the Trap" by John Debney had its release date on October 1, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Debney's "Hocus Pocus (Original Score)" album is number 18 out of 32. On top of that, United States appears to be the country where this track was created. In terms of popularity, Springing the Trap is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Springing the Trap by John Debney to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Daniel and Ruth | Mark Isham | G Major | 1 | 9B | 120 BPM | ||
| The Last Farewell | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| Enchanted Suite - From "Enchanted"/Score | Alan Menken | G Major | 4 | 9B | 110 BPM | ||
| Suite - From "Steel Magnolias" | Georges Delerue | D Major | 1 | 10B | 180 BPM | ||
| A Starry Night | Joel McNeely | G Minor | 2 | 6A | 140 BPM | ||
| Cortege | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| Fields Of London | Daniel Pemberton | C Major | 4 | 8B | 75 BPM | ||
| Anne's Theme | Hagood Hardy | G Major | 1 | 9B | 94 BPM | ||
| Fairy Dusted Festival - From "The Pirate Fairy"/Score | Joel McNeely | E♭ Major | 4 | 5B | 119 BPM | ||
| Arpeggio Theme | Mark Mancina | F Major | 1 | 7B | 156 BPM | ||
| Suite From Mulan | Jerry Goldsmith, Disney | C Major | 1 | 8B | 93 BPM | ||
| Moves Like an Ape, Looks Like a Man - From "Tarzan"/Score | Mark Mancina, Phil Collins | B♭ Minor | 1 | 3A | 139 BPM | ||
| Sunday / the Rat / Morning Paper | Oliver Wallace | A Major | 3 | 11B | 69 BPM | ||
| To Run Or Not To Run | Carter Burwell | G Major | 0 | 9B | 137 BPM | ||
| Mia Flees - Score | John Debney | C Major | 2 | 8B | 149 BPM | ||
| Main Titles | John Debney | A Major | 5 | 11B | 66 BPM | ||
| Kissing Town | Anne Dudley | F Major | 1 | 7B | 135 BPM | ||
| Discovery Of Kiss / Press Conference | Craig Armstrong | C Major | 1 | 8B | 82 BPM | ||
| A Childhood Lost | Joel McNeely | G Major | 0 | 9B | 82 BPM | ||
| Disney Salute | Robert B. Sherman, Richard Hayman, Jimmie Dodd, Richard Hayman Symphony Orchestra | F Major | 2 | 7B | 83 BPM | ||
| Bibbidi-Bobbidi-Boo (The Magic Song) - Instrumental Version | Mack David, Al Hoffman, Jerry Livingston | B♭ Major | 2 | 6B | 109 BPM | ||
| The Proposal (Under The Horse Chestnut Tree) | Isobel Waller-Bridge, David Schweitzer | C Major | 1 | 8B | 85 BPM | ||
| A New Era | John Lunn, The Chamber Orchestra Of London | C Major | 2 | 8B | 64 BPM | ||
| Fireworks | Nicholas Hooper | D Major | 5 | 10B | 100 BPM | ||
| These Pages Must Show (End Credits) | Christopher Willis | A Minor | 4 | 8A | 133 BPM |