Arthur Wood, New London Orchestra, Ronald Corp's ' "My Native Heath: IV. Barwick Green" was released on its scheduled release date, March 1, 1997. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 20 in British Light Music Classics, Vol. 2 by New London Orchestra, Eric Coates, Ronald Corp, Percy Fletcher, Ernest Bucalossi, Arthur Wood, Fred Hartley, Robert Farnon, Benjamin Frankel, Haydn Wood, Trevor Duncan, Ronald Binge, Gilbert Vinter, Clive Richardson, Herman Finck, Robert Docker, Albert Ketèlbey, Edward Elgar, Charles Williams, Edward White, Frederic Curzon. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. My Native Heath: IV. Barwick Green is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of My Native Heath: IV. Barwick Green by Arthur Wood, New London Orchestra, Ronald Corp is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scotland [Flower Of Scotland, "O Flower Of Scotland When Will We See Your Like Again…"] | Slovak Radio Symphony Orchestra, Peter Breiner | F Major | 2 | 7B | 89 BPM | ||
| The Last Rose Of Summer - Mono / With Violin Solo | Leroy Anderson | E Major | 2 | 12B | 103 BPM | ||
| VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM | ||
| The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
| Kanon Galop (1853) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 4 | 12B | 150 BPM | ||
| Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 4 | 5B | 85 BPM | ||
| VI. Waltz No. 1 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Serenade for Strings: I. Barcarolle | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B Minor | 1 | 10A | 80 BPM | ||
| Evening Hymn, Last Post and Sunset - Including Lead Kindly Light | The Central Band Of The Royal Air Force Conducted by Wing Commander H.B Hingly MBE, Wing Commander H.B Hingly MBE | B♭ Major | 0 | 6B | 79 BPM | ||
| "The Arcadians" Overture | Lionel Monckton, Howard Talbot, Arthur Wood, Arthur Wood And His Orchestra | A Major | 2 | 11B | 147 BPM | ||
| 5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 5, Fughetta. Allegro vivace | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F Major | 1 | 7B | 137 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": Variation No. 9 "Nimrod" | Edward Elgar, Adelaide Symphony Orchestra, David Stanhope | E♭ Major | 1 | 5B | 89 BPM | ||
| Wiener Bürger, Walzer, Op. 419 | Carl Michael Ziehrer, Mariss Jansons, Wiener Philharmoniker | C Major | 2 | 8B | 104 BPM | ||
| Concert Suite from "Henry V": Touch her soft lips, and part | William Walton, Bournemouth Symphony Orchestra, Andrew Litton | E Minor | 0 | 9A | 71 BPM | ||
| Barzarolle "Les Conte D'Hoffmann" | Jacques Offenbach, Philharmonica Orchestra, Sir Charles Groves | D Major | 0 | 10B | 71 BPM | ||
| Romeo and Juliet, Op. 64, Act II: No. 24, Dance of the Five Couples | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | D Major | 0 | 10B | 71 BPM | ||
| Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
| The Gadfly, Op. 97: No. 4, Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
| Procession of the Nobles from "Mlada" Suite | Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra, The Cleveland Pops Orchestra, Louis Lane | E♭ Major | 5 | 5B | 103 BPM | ||
| Ballet Suite No. 4 (arr. L. Atovmyan): Scherzo (The Bolt) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 77 BPM | ||
| Wagner: Die Meistersinger von Nürnberg: Vorspiel | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | A♭ Major | 1 | 4B | 91 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
| Holst: The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle | A♭ Major | 4 | 4B | 159 BPM | ||
| Evening Hymn and Sunset | Arthur C Green, Central Band Of The Royal Air Force | E♭ Major | 1 | 5B | 74 BPM | ||
| My Native Heath – Ilkley Tarn | Arthur Wood, Regent Concert Orchestra, William Hodgson | C Major | 2 | 8B | 104 BPM |