"Violin Concerto: I. Twilight" by Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier had its release date on May 16, 2006. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Rorem: Violin Concerto - Flute Concerto - Pilgrims". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Violin Concerto: I. Twilight is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto: I. Twilight by Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Our Town, Act III: "Seen Enough?" | Ned Rorem, Matthew DiBattista, Margot Rood, Gil Rose | A Minor | 2 | 8A | 87 BPM | ||
| Concierto para Piano y Orquesta No. 2, "de los Lienzos Olvidados": II. Anegados de Luz en Giverny - Live | Ramón Paus, Eduardo Fernandez, Orquesta de Extremadura, Iván López Reynoso | B♭ Minor | 1 | 3A | 85 BPM | ||
| Mai, Op. 1 No. 2 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM | ||
| Our Town, Act III: "Were You Happy, Emily?" | Ned Rorem, Krista River, Margot Rood, Stanley Wilson, Glorivy Arroyo, Gil Rose | B♭ Major | 1 | 6B | 173 BPM | ||
| Gloria, FP 177: V. Domine Deus, agnus Dei | Francis Poulenc, Stephen Layton, Susan Gritton, Polyphony, The Choir Of Trinity College, Cambridge, Britten Sinfonia | D Minor | 3 | 7A | 134 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Música callada I: No. 6, Lento | Federico Mompou, Stephen Hough | G Major | 0 | 9B | 70 BPM | ||
| Violin Concerto No. 2, Op. 89a: II. Aria | Alan Hovhaness, Zina Schiff, Salzburg Chamber Soloists, Avlana Eisenberg | F Major | 2 | 7B | 85 BPM | ||
| Songs of Travel: In Dreams | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | D♭ Major | 1 | 3B | 66 BPM | ||
| Les Danses de Ravel (After Le Tombeau de Couperin): I. Prélude | Franck Tortiller, Quatuor Debussy | E Minor | 2 | 9A | 75 BPM | ||
| Les Soirees de Pausilippe, Hommage a Rossini: 24 Pensees Musicales, Op. 75: IX. Andantino In D Major | Sigismond Thalberg, Francesco Nicolosi | D Major | 0 | 10B | 69 BPM | ||
| Roussel: String Trio, Op. 58: II. Adagio | Albert Roussel, Trio à cordes de Paris | E♭ Major | 0 | 5B | 68 BPM | ||
| 5 Pieces, Op. 75, "the Trees": No. 4, Koivu (the Birch) | Jean Sibelius, Ralf Gothoni | D♭ Major | 0 | 3B | 131 BPM | ||
| Rêve d'amour (S'il est un charmant gazon), Op. 5 No. 2 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM | ||
| Introduction and Allegro appassionato, Op. 92, for Piano and Orchestra in G Major: I. Langsam | Robert Schumann, Christian Zacharias, Orchestre de Chambre de Lausanne | G Major | 0 | 9B | 132 BPM | ||
| Fantasiestücke, Op. 73 (Transcr. for Oboe and Piano by Victor Aviat): I. Zart und mit Ausdruck | Robert Schumann, Victor Aviat, Kim Barbier | E♭ Major | 0 | 5B | 68 BPM | ||
| O magnum mysterium: I. O magnum mysterium | Peter Maxwell Davies, Howard Arman, Bavarian Radio Chorus | F♯ Major | 1 | 2B | 110 BPM | ||
| Seven Motets for the Church Year: Lay Up for Yourselves | Ned Rorem, Concora, Larry Allen, David Westfall, Carol Allen, Stacey Grimaldi, Richard Coffey | D Minor | 1 | 7A | 76 BPM | ||
| What is pink?: The house on the hill | Ned Rorem, The American Boychoir | F♯ Minor | 2 | 11A | 121 BPM | ||
| 12 Nocturnes: No. 10, 304 Sterne in einem kleinen Fenster | Bent Sørensen, Katrine Gislinge | E♭ Major | 0 | 5B | 68 BPM | ||
| 33 Miniatures: No. 8, Theme from "Mimino" | Giya Kancheli, Jenny Lin | F Major | 0 | 7B | 68 BPM | ||
| Trois pièces pour violoncelle et piano: No. 2, Sans vitesse et à l'aise | Nadia Boulanger, Lidy Blijdorp, Tobias Borsboom | E♭ Major | 0 | 5B | 68 BPM | ||
| Air à danser, Op. 164 | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 67 BPM | ||
| The Hebrides, Op. 26: Allegro moderato | Felix Mendelssohn, Leipziger Streichquartett | B Minor | 1 | 10A | 114 BPM |