The Running Set by Ralph Vaughan Williams, Northern Sinfonia of England/Bradley Creswick/Richard Hickox, Richard Hickox, Northern Sinfonia Of England Song Details

Ralph Vaughan Williams, Northern Sinfonia of England/Bradley Creswick/Richard Hickox, Richard Hickox, Northern Sinfonia Of England's ' "The Running Set" was released on its scheduled release date, June 5, 2000. This song is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. The track order of this song in Ralph Vaughan Williams, Richard Hickox, Northern Sinfonia Of England's "Hickox conducts Vaughan Williams" album is number 16 out of 36. The Running Set is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

BPM and Tempo

We consider the tempo marking of The Running Set by Ralph Vaughan Williams, Northern Sinfonia of England/Bradley Creswick/Richard Hickox, Richard Hickox, Northern Sinfonia Of England to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

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Popularity: 1%
Loudness: -19.025 dB
Acousticness: 95%
Danceability: 38%
Energy: 30%
Instrumentalness: 94%
Liveness: 10%
Loudness: 68%
Speechiness: 4%
Valence: 71%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	G Major	3	9B	97 BPM
Piano Concerto No. 2 Op. 102 in F Major: II. Andante	Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis	C Minor	0	5A	78 BPM
3 Portraits From England Of Elizabeth: Poet	RTE Concert Orchestra, Ralph Vaughan Williams	A Minor	0	8A	87 BPM
Sospiri, Op. 70	Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner	F Major	1	7B	177 BPM
Carmen Suite No. 1: III. Intermezzo, Interlude before Act III	Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra	D Major	1	10B	134 BPM
English Folk Song Suite: 2. Intermezzo: My Bonny Boy	Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner	C Minor	0	5A	64 BPM
Lyric for Strings	George Walker, Chicago Sinfonietta, Paul Freeman	F♯ Major	0	2B	102 BPM
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet	Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths	D Minor	0	7A	94 BPM
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp)	Camille Saint-Saëns, Jacqueline du Pré, Osian Ellis	G Major	0	9B	60 BPM
Woodland Suite: III. Moon-Fairy	George Dyson, BBC Symphony Orchestra, Richard Hickox	A Major	0	11B	74 BPM
English Pastoral Impressions: I. Spring Morning	John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley	E♭ Major	0	5B	101 BPM
Where the Rainbow Ends Suite (version for orchestra): No. 1a Rainbow Land	Roger Quilter, Slovak Radio Symphony Orchestra, Adrian Leaper	A Major	0	11B	69 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	E♭ Major	1	5B	87 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	G Major	2	9B	90 BPM
Sicilienne, Op. 78 (arr. for flute and harp)	Donald Sosin, Gabriel Fauré, Nora Shulman, Judy Loman	B♭ Major	1	6B	153 BPM
Appalachian Spring: VII. Doppio movimento	Aaron Copland, Leonard Bernstein, New York Philharmonic	D♭ Major	1	3B	78 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits	Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra	D Minor	1	7A	67 BPM
Was mir behagt, ist nur die muntre Jagd, BWV 208, "Hunt Cantata": Aria. Schafe können sicher weiden (Sheep May Safely Graze) [arr. R. Hayman]	Johann Sebastian Bach, Philharmonic Symphony Orchestra, Richard Hayman	D Minor	2	7A	79 BPM
Delius / Arr. Fenby: Koanga, Act II: La Calinda	Frederick Delius, Sir John Barbirolli, Hallé	E Minor	4	9A	116 BPM
Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano)	Christoph Willibald Gluck, Yuja Wang	D Minor	0	7A	70 BPM
Greensleeves	Ralph Vaughan Williams, Sir Simon Rattle, Berliner Symphoniker	C Minor	1	5A	80 BPM
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 3, Carol. Andante semplice	Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths	B♭ Major	0	6B	78 BPM
Polovetsian Dances from Prince Igor: Introduzione	Alexander Borodin, George Szell, The Cleveland Orchestra	A Major	1	11B	83 BPM
Belshazzar's Feast, JS 48: Prelude. Nocturno	Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam	G Major	2	9B	98 BPM
A Song of the Night, Op. 19, No. 1, H. 74	Gustav Holst, Janice Graham, English Sinfonia, Howard Griffiths	C Minor	1	5A	88 BPM