"Bright Music: Chopin" by Ned Rorem, The Fibonacci Sequence had its release date on February 23, 2003. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Rorem: End of Summer / Book of Hours / Bright Music". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Bright Music: Chopin is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bright Music: Chopin by Ned Rorem, The Fibonacci Sequence having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rêve d'amour (S'il est un charmant gazon), Op. 5 No. 2 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM | ||
| Träumerei, Op. 15 No. 7 | Robert Schumann, Michael Collins, Michael McHale | G Major | 1 | 9B | 99 BPM | ||
| Schoenberg: Suite in the Old Style for String Orchestra: II. Adagio | Arnold Schoenberg, Mario Venzago, Deutsche Kammerphilharmonie Bremen | G Major | 1 | 9B | 101 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | B♭ Major | 0 | 6B | 74 BPM | ||
| Thème varié, FP. 151: Variations VII. - X. | Francis Poulenc, Martin Jones | E Major | 0 | 12B | 70 BPM | ||
| Piesn Roksany - Transcription for violin and Piano: Paul Kochanski | Karol Szymanowski, Kaja Danczowska, Krystian Zimerman | A Minor | 0 | 8A | 75 BPM | ||
| Rorem : Santa Fe Songs : IV Sonnet | Ned Rorem, Susan Graham, Ensemble Oriol | C Minor | 1 | 5A | 89 BPM | ||
| Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
| Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Dartington Piano Trio | D Minor | 2 | 7A | 87 BPM | ||
| Early in the Morning | Ned Rorem | B♭ Major | 1 | 6B | 90 BPM | ||
| Deux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. Moderato | Einojuhani Rautavaara, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | A Minor | 1 | 8A | 92 BPM | ||
| Le poème de l'extase, Op. 54: I. Andante. Languido – Lento. Soavamente – Allegro volando – Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | E Major | 0 | 12B | 70 BPM | ||
| 12 Notations pour piano: IX Lointain - Calme | Pierre Boulez, David Fray | F Major | 0 | 7B | 131 BPM | ||
| Improvisations on Themes of Clara Schumann | Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | E Minor | 1 | 9A | 106 BPM | ||
| Nymphs and Fauns Arabesque - Duo-Art 5509 | Herman Bemberg, McNair Ilgenfritz, Peter Phillips | D♭ Major | 1 | 3B | 88 BPM | ||
| Davidsbündlertänze, Op. 6: No. 18, Nicht schnell | Robert Schumann, Tiffany Poon | C Major | 0 | 8B | 104 BPM | ||
| Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | E Major | 0 | 12B | 70 BPM | ||
| Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | ||
| Sonata for Cello and Piano: II. Allegretto | Henriëtte Bosmans, Mayke Rademakers, Matthijs Verschoor | G Major | 1 | 9B | 105 BPM | ||
| 10 Preludes, Op. 23: No. 6 in E-Flat Major. Andante | Sergei Rachmaninoff, Boris Giltburg | A♭ Major | 0 | 4B | 68 BPM | ||
| Une Tabatiere a Musique. Op. 32 (Musical Snuffbox) - Duo-Art 67319 | Anatoly Lyadov, Ethel Leginska, Peter Phillips | E Major | 0 | 12B | 70 BPM | ||
| Les Danses de Ravel (After Le Tombeau de Couperin): I. Prélude | Franck Tortiller, Quatuor Debussy | E Minor | 2 | 9A | 75 BPM | ||
| Piano Album I: Marriage Measures | Ned Rorem, Carolyn Enger | F Major | 0 | 7B | 127 BPM |