Calefax Reed Quintet's 'Waldszenen: 2. Jäger auf der lauer' had a release date set for October 25, 2015. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Romantic Kaleidoscope". In this album, this song's track order is #2. Waldszenen: 2. Jäger auf der lauer is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Waldszenen: 2. Jäger auf der lauer by Calefax Reed Quintet having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Feet In The Clouds | Fiona Ubong | F♯ Major | 1 | 2B | 73 BPM | ||
| Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: I. Romanze (Andante con doulo) | Carl Nielsen, Markus Becker, Albrecht Mayer | C Minor | 0 | 5A | 110 BPM | ||
| Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: I. Allegro e non presto (Transcr. for Piccolo Trumpet and Baroque Orchestra by Simon Wright) | Tomaso Albinoni, Alison Balsom, Pinnock’s Players, Trevor Pinnock | D♭ Minor | 6 | 12A | 103 BPM | ||
| Variationen Über Ein Thema Aus Silvana, Op. 33: Thema | Carl Maria von Weber, Martin Klett, Sebastian Manz | F Major | 0 | 7B | 71 BPM | ||
| Le tombeau de Couperin: Rigaudon. Assez vif | Maurice Ravel, Calefax Reed Quintet | A Minor | 0 | 8A | 133 BPM | ||
| Suite le rappel des oiseaux: Gigue en rondeau I & II | Jean-Philippe Rameau, Calefax Reed Quintet | E Minor | 0 | 9A | 77 BPM | ||
| Seven Magnificat Antiphons: VII. O Immanuel (arr. Counter Tenor & Reed Quintet by Raaf Hekkema) | Arvo Pärt, Kai Wessel, Calefax Reed Quintet | F Major | 0 | 7B | 127 BPM | ||
| Boismortier: Pièces de clavecin, Op. 59: Suite No. 1 en ut mineur: III. Gavotte "La Transalpine" | Joseph Bodin de Boismortier, Laurence Boulay | A♭ Major | 1 | 4B | 196 BPM | ||
| Obra de 8º tono alto (Arr. for Reed Quintet by Jelte Althuis): Ensalada | Sebastian Aguilera de Heredia, Calefax Reed Quintet | G Major | 1 | 9B | 116 BPM | ||
| La petite tonkinoise | Vincent Scotto, Calefax Reed Quintet, Cora Burggraaf | D Major | 1 | 10B | 85 BPM | ||
| Commorant Chicks Succumb | The Metropole Orchestra, Calefax Reed Quintet | D Minor | 0 | 7A | 166 BPM | ||
| Die schöne Müllerin, Op. 25, D. 795: XII. Pause (adapted for Flute and Piano) | Franz Schubert, Nadia Labrie, Mathieu Gaudet | E Major | 2 | 12B | 130 BPM | ||
| The Moon's Reflection on the Second Spring (Arr. O Boekhoorn for Reed Quintet) | Abing, Calefax Reed Quintet | A Major | 0 | 11B | 78 BPM | ||
| Pièces froides, Pt. 2 "Danses de travers" (Arr. R, Hekkema for Reed Quintet): No. 3, Encore | Erik Satie, Calefax Reed Quintet | A Minor | 1 | 8A | 67 BPM | ||
| 6 Sonatas, ZWV 81, No. 1 in F Major: I. Adagio ma non troppo | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin | G Minor | 2 | 6A | 116 BPM | ||
| The River - IV. The giggling rapids | Tony Overwater Trio, Calefax Reed Quintet | F Minor | 3 | 4A | 84 BPM | ||
| Missa à 5: I. Kyrie (arr. Reed Quintet by Eduard Wesley) | William Byrd, Calefax Reed Quintet | D Minor | 0 | 7A | 72 BPM | ||
| Fantasia No. 3 in B Minor, TWV 40:4: II. Allegro | Georg Philipp Telemann, Lucie Horsch | E Major | 0 | 12B | 95 BPM | ||
| Tu m'uccidi, o crudele (Arr. R, Hekkema for Reed Quintet) | Carlo Gesualdo, Calefax Reed Quintet | G Major | 0 | 9B | 90 BPM | ||
| Serenade for 13 Wind Instruments in E flat major, Op. 7 | Richard Strauss, François Leleux | E♭ Major | 0 | 5B | 70 BPM | ||
| Le Tombeau des seventies: II. Néo-Menuet 1770 | Guillaume Connesson, Stradivaria, Guillaume Cuiller | A♭ Major | 1 | 4B | 196 BPM | ||
| Far East Suite - VI. Amad | Tony Overwater Trio, Calefax Reed Quintet | D♭ Minor | 1 | 12A | 124 BPM | ||
| Miniatures, Op. 75a, B. 149: No. 3 in B-Flat Major, Romanza. Allegro | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller | G Major | 2 | 9B | 121 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| Purcell: Funeral Sentences for the Death of Queen Mary, Z. 27: VII. March | Henry Purcell, Alison Balsom, Balsom Ensemble | E Minor | 1 | 9A | 101 BPM |