"Francesca da Rimini, Act IV: Torna Malatestino (Live)" by Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Piero de Palma, Giampiero Malaspina, Gianandrea Gavazzeni had its release date on October 7, 2014. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zandonai: Francesca da Rimini (Live) by Riccardo Zandonai, Magda Olivero, Mario del Monaco, Giampiero Malaspina, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Coro La Scala di Milano, Gianandrea Gavazzeni, Enrico Campi, Gabriella Carturan, Athos Cesarini, Angelo Mercuriali, Giuseppe Morresi, Pinuccia Perotti, Anna Maria Rota. The song's track number on the album is #9 out of 39 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Francesca da Rimini, Act IV: Torna Malatestino (Live)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Act IV: Torna Malatestino (Live) by Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Piero de Palma, Giampiero Malaspina, Gianandrea Gavazzeni has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Francesca da Rimini, Act IV: Torna Malatestino (Live) being at 140 BPM, the half-time would be 70 BPM with a double-time of 280 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
| Francesca da Rimini, Op. 4, Act III, Scene 7: Benvenuto, signore mio cognato (Francesca, Paolo) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt | D♭ Major | 0 | 3B | 66 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act II: Mazurka and Scene. "Messieurs, mesdames, mesta zanyat izvolte" - "Ti ne tantsuyesh, Lenski?" | Pyotr Ilyich Tchaikovsky, Rosemarie Lang, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 4 | 9A | 133 BPM | ||
| Donizetti: Una furtiva lagrima | Gaetano Donizetti, Monroe | D Major | 4 | 10B | 149 BPM | ||
| Bellini: I puritani, Act 1: "A te, o cara, amor talora" (Arturo, Elvira, Giorgio, Gualtiero, Coro) | Vincenzo Bellini, Riccardo Muti, Agostino Ferrin, Alfredo Kraus, Ambrosian Opera Chorus, Montserrat Caballé, Stefan Elenkov, Philharmonia Orchestra | B♭ Major | 7 | 6B | 140 BPM | ||
| Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM | ||
| Carmen, WD 31: La cloche a sonné | Georges Bizet, Leontyne Price, Monique Linval, Geneviève Macaux, Herbert von Karajan | A Minor | 1 | 8A | 79 BPM | ||
| Verdi: Aida, Act 3: "Ciel! Mio padre!" (Aida, Amonasro) | Giuseppe Verdi, Riccardo Muti, Montserrat Caballé, Piero Cappuccilli, New Philharmonia Orchestra | D♭ Major | 2 | 3B | 60 BPM | ||
| Gounod: Faust, Act 1: "Rien ! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | ||
| Francesca da Rimini, Act I: Adonnella, Adonella, c'è il giullare (Live) | Riccardo Zandonai, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Claudio Giombi, Enzo Viaro, Franco Capuana | D Major | 2 | 10B | 70 BPM | ||
| Francesa da Rimini, Act III: "Inghirlandata di violette m'appariste ieri" | Riccardo Zandonai, Plácido Domingo, Renata Scotto, James Levine, Metropolitan Opera Orchestra | F♯ Minor | 1 | 11A | 76 BPM | ||
| Lucia di Lammermoor / Act 2: "Soffriva nel pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 108 BPM | ||
| Gianni Schicchi: "Ai miei cugioni Zita e Simone" | Giacomo Puccini, Ewa Podles, Enrico Fissore, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Major | 0 | 8B | 97 BPM | ||
| Puccini: Turandot, Act 2: "Straniero, ascolta!" (Turandot, Calaf, I sapienti) | Giacomo Puccini, Francesco Molinari-Pradelli, Birgit Nilsson, Coro Del Teatro Dell'Opera Di Roma, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 1 | 7B | 76 BPM | ||
| Requiem, Op. 89, B. 165: Tuba mirum | Antonín Dvořák, Czech Philharmonic Orchestra | F♯ Major | 1 | 2B | 88 BPM | ||
| Tosca, Act I: Te Deum | Giacomo Puccini, Ludovic Tezier, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| I cavalieri di Ekebu: Vi går tillsammans | Lars Cleveman, Malena Karlsson, Riccardo Zandonai, A. Rossato, M. Lindman | A Major | 1 | 11B | 100 BPM | ||
| Gounod: Faust, CG 4, Act 1 Scene 2: No. 4, Duo, (a) "Me voici! … Non" (Méphistophélès, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
| Turandot: Act II Scene 1: Ho una casa nell'Honan | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | ||
| Don Pasquale, Act II Quinta Scena: Riunita immantinento (Norina/Pasquale/Malatesta) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 135 BPM | ||
| Cavalleria rusticana: A voi tutti salute! | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Gian Giacomo Guelfi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | E Major | 1 | 12B | 174 BPM | ||
| Carmen, Act I: Finale. Le lieutenant! Prenez garde! | Georges Bizet, Jean Barney, Jean-Noel Sissia, Maria Laborit, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 175 BPM | ||
| Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM |