"Amor, ben mi credevo" by Cipriano de Rore, Ensemble Il Ballo, Véronique Bourin, Leonardo Loredo de Sá had its release date on October 28, 2022. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Amor, ben mi credevo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Cipriano de Rore, Ensemble Il Ballo, Leonardo Loredo de Sá, Véronique Bourin's "Il divino Cipriano de Rore" album is number 8 out of 24. On top of that, France appears to be the country where this track was created. In terms of popularity, Amor, ben mi credevo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Amor, ben mi credevo by Cipriano de Rore, Ensemble Il Ballo, Véronique Bourin, Leonardo Loredo de Sá to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vespro della Beata Vergine, SV 206: XIIIb. Magnificat "Et exultavit spiritus meus" | Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Reinoud Van Mechelen, Samuel Boden, Collegium Vocale Gent | B Minor | 1 | 10A | 167 BPM | ||
| Have Mercy Upon Me, O God, HWV 248: III. Wash Me Throughly From My Wickedness | George Frideric Handel, Arcangelo, Jonathan Cohen, Deborah Cachet, Raoul Steffani | D Major | 1 | 10B | 85 BPM | ||
| Stella, Quam Viderant Magi | Piffaro | A♭ Major | 0 | 4B | 68 BPM | ||
| Quomodo cantabimus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 77 BPM | ||
| Marin: Aquella sierra nevada | Jose Marin, Jordi Savall | B Major | 0 | 1B | 135 BPM | ||
| O voi che sotto l'amorose insegne | Cipriano de Rore, Consort Of Musicke, Anthony Rooley | E♭ Minor | 1 | 2A | 74 BPM | ||
| French: Dormant | Jacob French, Joel Cohen, Boston Camerata | D Major | 2 | 10B | 97 BPM | ||
| Amicus meus | Tomás Luis de Victoria, Ensemble Corund, Stephen Smith | F♯ Minor | 1 | 11A | 102 BPM | ||
| Facultad organica: No. 13, Tiento de primero tono, FO 13 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | A♭ Minor | 1 | 1A | 119 BPM | ||
| Missa Iste confessor domini: Kyrie Ib | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | B♭ Minor | 2 | 3A | 136 BPM | ||
| Canzoni a quattro voci, Op. 1: No. 4, La Merula | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Fantasy I | John Jenkins, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 1 | 12A | 110 BPM | ||
| In Nativitatem Domini Canticum, H. 416: Nuit (interlude Instrumental pour cordes) | Marc-Antoine Chaprentier, Instrumental, Jordi Savall, Le Concert Des Nations | D♭ Major | 1 | 3B | 66 BPM | ||
| Messe de Minuit, H. 9: Sanctus | Marc-Antoine Charpentier, Sébastien Daucé, Ensemble Corrrespondances, Jordan Mouaïssia, Etienne Bazola | C Major | 2 | 8B | 94 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Pauin (no.15) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | A♭ Major | 1 | 4B | 166 BPM | ||
| Fayrfax: Maria plena virtute - 04. Mater dolorosa | Robert Fayrfax, The Tallis Scholars, Peter Phillips | G Minor | 1 | 6A | 99 BPM | ||
| Couperin, L: Fantaisie de Violes par Mr. Couperin | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 62 BPM | ||
| O Rex gloriae, a 8 | Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings | E Minor | 2 | 9A | 93 BPM | ||
| Graduale: II. In memoria aeterna | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 1 | 5A | 137 BPM | ||
| 42 Chansons musicales a troys parties: No. 12, Amy, souffrés - Version from the "Très brève et familière Introduction" - No. 10 | Pierre Moulu, Hopkinson Smith, Sophie Klussmann | G Minor | 0 | 6A | 79 BPM | ||
| Madrigals, Book 1: Amor, ben mi credevo (Arr. O. Harmelin for Lute) | Cipriano de Rore, Orí Harmelin | F♯ Major | 2 | 2B | 168 BPM | ||
| Missa Corpis Domini, ZWV 3: Et incarnatus est | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | B♭ Minor | 2 | 3A | 136 BPM | ||
| Veni sponsa Christi, a 4 | Sebastián de Vivanco, Capilla Flamenca, Dirk Snellings | B♭ Major | 2 | 6B | 98 BPM | ||
| Alleluia: Cantantibus organis | Philippe Rogier, Chœur De Chambre De Namur, La Fenice, Doulce Mémoire, Ricercar Consort, Jean Tubéry | D♭ Major | 1 | 3B | 65 BPM | ||
| Missa pro defunctis: IV. Offertorium | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | G Minor | 2 | 6A | 68 BPM |