"Alle Tage ist kein Sonntag" by Rudolf Schock had its release date on November 18, 2022. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 20 in Dein ist mein ganzes Herz by Rudolf Schock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Alle Tage ist kein Sonntag is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Alle Tage ist kein Sonntag by Rudolf Schock is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pueri, concinite | Johann Ritter von Herbeck, Daniel Behle, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Helmuth Froschauer | D Major | 3 | 10B | 130 BPM | ||
| Schweden-Mädel | Lys Assia | E Major | 2 | 12B | 124 BPM | ||
| All meine Jugenjahre - Ach, ich hab' in meinem Herzen | Norbert Schultze, Rudolf Schock, Werner Schmidt-Boelcke | B Major | 2 | 1B | 169 BPM | ||
| Carmen · Oper in 4 Akten (deutsch gesungen), Zweiter Akt: Hier an dem Herzen treu geborgen (Blumenarie: Carmen, Don José) | Georges Bizet, Rudolf Schock, Horst Stein, Berliner Symphoniker | D Minor | 2 | 7A | 123 BPM | ||
| La Campanella | Menskes Chöre | F♯ Major | 3 | 2B | 92 BPM | ||
| Aquarellen-Walzer, Op. 258 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Karl Albert Geyer | C Major | 2 | 8B | 86 BPM | ||
| Hänsel und Gretel, Act III: Kinder, schaut das Wunder an (Father, Stepmother, Gingerbread Children, Gretel, Hänsel) | Engelbert Humperdinck, Donald Runnicles, Bernd Weikl, Hildegard Behrens, Jennifer Larmore, Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks | F Major | 1 | 7B | 89 BPM | ||
| O Rose von Stambul | Rudolf Schock | E Major | 3 | 12B | 91 BPM | ||
| Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Gibt es kein hinüber?" (Ariadne, Bacchus, Najade, Dryade, Echo, Zerbinetta) | Richard Strauss, Herbert von Karajan, Anny Felbermayer, Elisabeth Schwarzkopf, Grace Hoffman, Lisa Otto, Rita Streich, Rudolf Schock, Philharmonia Orchestra | D♭ Major | 3 | 3B | 87 BPM | ||
| Martha: Ach, so fromm | Friedrich von Flotow, Rudolf Schock, Heinz Wallberg | F Major | 2 | 7B | 164 BPM | ||
| La Campanella | Vico Torriani | F Major | 4 | 7B | 104 BPM | ||
| Der Graf von Luxemburg · Operette in 3 Akten (Querschnitt), Erster Akt: - Mein Ahnherr war der Luxemburg - So liri, liri, lari | Rudolf Schock, Frank Fox, Chor, Berliner Symphoniker, Helga Hildebrand | D Major | 5 | 10B | 147 BPM | ||
| Heut' ist der schönste Tag in meinem Leben | Joseph Schmidt | B♭ Major | 4 | 6B | 96 BPM | ||
| Der Probekuss: In Saus und Braus | Carl Millöcker, Wiener Johann Strauss Orchester, Alfred Eschwe | F Major | 4 | 7B | 78 BPM | ||
| Norton: Chu Chin Chow, Act 2: Any Time's Kissing-Time (Alcolom, Ali Baba) | Frederic Norton, Michael Collins, Julie Bryan, Inia Te Wiata, Michael Collins Orchestra | E Major | 2 | 12B | 124 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| Die Sirene, Polka Mazur, Op. 248 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Ernst Märzendorfer | D Major | 0 | 10B | 114 BPM | ||
| Armes Herz, sei nicht traurig | Rudolf Schock | A♭ Major | 2 | 4B | 62 BPM | ||
| Im Salzkammergut da kann man gut | Wiener Operettenorchester, Chor | C Major | 5 | 8B | 76 BPM | ||
| Annchen von Tharau | Friedrich Silcher, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann | A Major | 1 | 11B | 139 BPM | ||
| Der letzte Walzer: Das ist der letzte Walzer | Oscar Straus, Margit Schramm, Rudolf Schock, Robert Stolz | G Major | 3 | 9B | 138 BPM | ||
| Tausend Mandolinen | Vico Torriani | F Major | 3 | 7B | 98 BPM | ||
| Galway Bay | Colehan, Josef Locke, Debroy Somers | E♭ Major | 2 | 5B | 92 BPM | ||
| Lohengrin, WWV 75 / Act 3: In fernem Land, unnahbar euren Schritten | Richard Wagner, James King, Karl Ridderbusch, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Bavarian Radio Chorus, Heinz Mende | E♭ Major | 4 | 5B | 124 BPM | ||
| Ohne Bremse, Op. 238: Ohne Bremse, Polka schnell, Op. 238 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | D Major | 4 | 10B | 145 BPM |