"2 Stücke, Op. 16: I. Romanze (Quasi adagio)" by Leone Sinigaglia, Raphaela Gromes, Julian Riem had its release date on September 8, 2017. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Serenata Italiana". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. 2 Stücke, Op. 16: I. Romanze (Quasi adagio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 2 Stücke, Op. 16: I. Romanze (Quasi adagio) by Leone Sinigaglia, Raphaela Gromes, Julian Riem having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Las Tarantulas | Dolores White, Raphaela Gromes, Julian Riem | E Minor | 1 | 9A | 140 BPM | ||
| Kol Nidrei, Op.47 - Adagio on Hebrew Melodies for Cello and Orchestra (Adagio ma non troppo) | Max Bruch, Matt Haimovitz, Chicago Symphony Orchestra, James Levine | D Major | 1 | 10B | 101 BPM | ||
| Six Morceaux, VWV 3003: I. Romance (Arr. for Cello & Orchestra by Julian Riem) | Pauline Viardot, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | F Major | 2 | 7B | 106 BPM | ||
| Danse bohémienne, Op. 28 | Jacques Offenbach, Raphaela Gromes, Julian Riem | D Major | 1 | 10B | 150 BPM | ||
| Ave Maria for String Quartet | Leone Sinigaglia, Archos Quartet | A Major | 0 | 11B | 165 BPM | ||
| Nuit étoilée (Arr. for Cello & Piano by Julian Riem) | Cécile Chaminade, Raphaela Gromes, Julian Riem | D Major | 1 | 10B | 107 BPM | ||
| 5 Salonstücke, Op. 28: No. 4, Romanze (Arr. Isserlis for Cello & Piano) | Ferdinand David, Steven Isserlis, Connie Shih | E♭ Major | 2 | 5B | 111 BPM | ||
| Arpeggione Sonata in A Minor, D. 821: II. Adagio | Franz Schubert, Charles Owen, Natalie Clein | G Major | 1 | 9B | 58 BPM | ||
| Vocalise No. 14, Op. 34 | Sergei Rachmaninoff, Mstislav Rostropovich | D♭ Minor | 1 | 12A | 89 BPM | ||
| La Cenerentola: Non più mesta (Arr. for Cello and Orchestra) | Gioachino Rossini, Raphaela Gromes, Enrico Delamboye | E Major | 1 | 12B | 123 BPM | ||
| Bartók: Romanian Folk Dances, Sz. 56: No. 4, Horn Dance (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
| Estrellita | Manuel Ponce, Nikolaj Znaider | F♯ Major | 1 | 2B | 103 BPM | ||
| 2 Konzertetüden, S. 145/LW.A. 218: II. Gnomenreigen. Presto scherzando (Arr. for Cello & Piano by Julian Riem) | Franz Liszt, Raphaela Gromes, Julian Riem | G Major | 2 | 9B | 82 BPM | ||
| Sonata in G Minor for Cello and Piano, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A♭ Major | 1 | 4B | 176 BPM | ||
| Tre Momenti for Cello and String Orchestra: I. Speranze | Matilde Capuis, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | E Minor | 2 | 9A | 108 BPM | ||
| 8 Pieces, Op. 39: VI. Impromptu | Reinhold Glière, Sonia Wieder-Atherton, Raphaël Oleg | F Major | 0 | 7B | 131 BPM | ||
| Cinema Paradiso | Ennio Morricone, Raphaela Gromes, Julian Riem | B♭ Major | 1 | 6B | 66 BPM | ||
| Elfentanz, Op. 39 | David Popper, Raphaela Gromes, Julian Riem | G Major | 3 | 9B | 91 BPM | ||
| Sonata in F Minor, K. 462 | Domenico Scarlatti, Lucas Debargue | F Minor | 0 | 4A | 102 BPM | ||
| Piano Sonata in G Minor: II. Scherzo | Fanny Mendelssohn, Beatrice Rauchs | F♯ Major | 0 | 2B | 71 BPM | ||
| Cello Sonata in F-Sharp Minor, Op. 52: II. Scherzo. Allegro molto - Trio. Allegretto | Giuseppe Martucci, Raphaela Gromes | E Major | 1 | 12B | 79 BPM | ||
| Melody, Op. 21, No. 9 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | B♭ Major | 1 | 6B | 79 BPM | ||
| Violin Sonata in A Major, M. 8: II. Allegro (Arr. J. Delsart for cello and piano) | César Franck, Harriet Krijgh, Kamilla Isanbaeva | C Minor | 1 | 5A | 97 BPM | ||
| 4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | G Major | 0 | 9B | 99 BPM | ||
| Werther / Act III: "Pourquoi me réveiller" (Adapt. for Cello and Orchestra) | Jules Massenet, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F♯ Minor | 1 | 11A | 97 BPM |