"Air On A 'G' String" by London Symphony Orchestra had its release date on September 28, 2018. This song is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The song is number 3 out of 12 in Classical Favourites - An Hour Of The World's Best Loved Music by London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, Air On A 'G' String is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Air On A 'G' String by London Symphony Orchestra is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vesperae solennes de Confessore, K. 339: V. Laudate Dominum | Wolfgang Amadeus Mozart, Kiri Te Kanawa, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | F Major | 1 | 7B | 82 BPM | ||
| On Wings of Song, Op. 34 No. 2 | Felix Mendelssohn, Haruma Sato, 久末 航 | A Minor | 0 | 8A | 86 BPM | ||
| Pachelbel: Canon and Gigue in D Major: Canon | Johann Pachelbel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 84 BPM | ||
| Carmen Suite No. 1: Les toréadors | Georges Bizet, London Symphony Orchestra, Sir Neville Marriner | E Minor | 3 | 9A | 173 BPM | ||
| The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
| Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
| Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
| Cinema Paradiso Theme - From "Cinema Paradiso" | Orchestre Filmharmonique, Francis Choinière | F Major | 1 | 7B | 78 BPM | ||
| Air On A 'G' String | London Symphony Orchestra | E Minor | 0 | 9A | 118 BPM | ||
| Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Andrew Marriner, Jaime Martin, London Symphony Orchestra | G Major | 2 | 9B | 197 BPM | ||
| The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
| Elegy for English Horn, Harp & String Orchestra | Peter Boyer, Christine Pendrill, Bryn Lewis, London Symphony Orchestra | A Minor | 1 | 8A | 98 BPM | ||
| Danzas españolas, Op. 37: 5. Aldaluza | Enrique Granados, London Symphony Orchestra, Ataúlfo Argenta | E Minor | 0 | 9A | 69 BPM | ||
| Radiant Moments | Veridia | E Minor | 0 | 9A | 69 BPM | ||
| Barber: Adagio for Strings, Op. 11a (After "Molto adagio" from String Quartet, Op. 11) | Samuel Barber, London Symphony Orchestra, Michael Tilson Thomas | D Minor | 0 | 7A | 75 BPM | ||
| Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
| Nocturne in E-Flat Major, Op. 9 No. 2 | Frédéric Chopin, Alessandro Deljavan | B♭ Major | 0 | 6B | 66 BPM | ||
| Elgar: Variations on an Original Theme, Op. 36 "Enigma": Theme | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
| Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
| Orchestersuite in D Major, BWV 1068: II. Air | Slovak Philharmonic, Bohdan Warchal | D Major | 2 | 10B | 114 BPM | ||
| Theme from the Onedin Line | John Keating/London Symphony Orchestra | D♭ Major | 3 | 3B | 112 BPM | ||
| The Ashokan Farewell | Jay Ungar, Nil, Captain John Perkins, The Band Of H.M. Royal Marines, Plymouth | D Major | 0 | 10B | 88 BPM | ||
| Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM |