William Lloyd Webber, Tasmin Little, Ian Watson's 'Benedictus' had a release date set for May 1, 1998. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Webber: Invocation by William Lloyd Webber, Richard Hickox, City of London Sinfonia, Julian Lloyd Webber, Tasmin Little, Westminster Singers. The song's track number on the album is #12 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Benedictus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Benedictus by William Lloyd Webber, Tasmin Little, Ian Watson has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Benedictus being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Merry Widow: Overture | Franz Lehár, National Philharmonic Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 130 BPM | ||
| Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | ||
| Elizabeth I | Debbie Wiseman, National Symphony Orchestra | A Minor | 2 | 8A | 80 BPM | ||
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | ||
| Fauré: Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Major | 0 | 10B | 147 BPM | ||
| 2 Pieces for Strings from Henry V: No. 1, Passacaglia. Death of Falstaff | William Walton, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | ||
| Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
| The Banks of Green Willow | George Butterworth, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 0 | 8A | 71 BPM | ||
| Sonatina for viola and piano (1952): 1. Allegro comodo | William Lloyd Webber, Philip Dukes, Sophia Rahman | A Minor | 1 | 8A | 128 BPM | ||
| The Westminster Waltz | Robert Farnon, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 62 BPM | ||
| Rodeo: II. Corral Nocturne | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | F Minor | 0 | 4A | 92 BPM | ||
| Slumber Song | William Lloyd Webber, Julian Lloyd Webber, John Lenehan | F Major | 0 | 7B | 91 BPM | ||
| Montgomery Variations: IV. Dawn in Dixie | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 168 BPM | ||
| Suite Lyrique: 3. Aria | John Rutter, Catrin Finch, Sinfonia Cymru | E Minor | 1 | 9A | 128 BPM | ||
| Slow Air | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | F Major | 0 | 7B | 80 BPM | ||
| Serenade for Strings: III. Elegy | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B♭ Major | 0 | 6B | 65 BPM | ||
| The Walk to the Paradise Garden | Frederick Delius, Royal Liverpool Philharmonic Orchestra, John Wilson | E Major | 1 | 12B | 88 BPM | ||
| Cavalleria rusticana: Intermezzo (Arr. Holt) | Pietro Mascagni, Nicola Benedetti, Benedetti Foundation Orchestra, Natalia Luis-Bassa | F Major | 2 | 7B | 180 BPM | ||
| The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
| Farewell to Stromness | Peter Maxwell Davies, Rory Macdonald, Royal Scottish National Orchestra | C Minor | 5 | 5A | 92 BPM | ||
| I Have a Bonnet Trimmed with Blue | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | F Major | 0 | 7B | 80 BPM | ||
| Elegy (In Memoriam Stephen Lawrence) | Philip Herbert, Chineke! Orchestra, Anthony Parnther | C Major | 0 | 8B | 100 BPM | ||
| Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | ||
| Serenade in A Minor: IV. Romance - Andantino - Appassionato | Ralph Vaughan Williams, Royal Scottish National Orchestra, Martin Yates | F Major | 1 | 7B | 82 BPM | ||
| Danish Folk-Music Suite: III. The Nightingale and the Two Sisters | Percy Grainger, Geoffrey Simon, Melbourne Symphony Orchestra | E Major | 1 | 12B | 91 BPM |