- BPM
- 133
- Key
- D♭ Major
- Camelot
- 3B
All-Nite Dinah by Chris Murray Song Details
On 1996, the song "All-Nite Dinah" was released by Chris Murray. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "The 4-Track Adventures". In this album, this song's track order is #2. Based on our statistics, All-Nite Dinah's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
With All-Nite Dinah by Chris Murray having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 6%
- Loudness
- -11.326 dB
- Acousticness
- 94%
- Danceability
- 73%
- Energy
- 41%
- Instrumentalness
- 20%
- Liveness
- 8%
- Loudness
- 81%
- Speechiness
- 4%
- Valence
- 96%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 108 BPM | |
 | Borodin - String Quartet No.2 in D major: Scherzo: Allegro | Alexander Borodin, Borodin Quartet | C Major | 2 | 8B | 121 BPM | |
 | Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | |
 | Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM | |
 | Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | |
 | 3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
 | Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | |
 | Brahms: String Quartet No. 1 in C Minor, Op. 51 No. 1: II. Romanze (Poco adagio) | Johannes Brahms, Quatuor Ébène | A♭ Major | 0 | 4B | 78 BPM | |
 | Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 4. Presto | Johann Sebastian Bach, Hilary Hahn | G Minor | 3 | 6A | 125 BPM | |
 | Julie-O | Slava Grigoryan, Sharon Grigoryan | D Major | 1 | 10B | 80 BPM | |
 | Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | |
 | Song without Words, Op. 109 | Felix Mendelssohn, Sheku Kanneh-Mason, Isata Kanneh-Mason | C Major | 0 | 8B | 122 BPM | |
 | The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | |
 | Bocherini / Arr. Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | |
 | Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | |
 | Meditation From Thais | Jules Massenet, Hee-young Lim | E Minor | 1 | 9A | 84 BPM | |
 | Valencia | Caroline Shaw, Attacca Quartet | F Major | 1 | 7B | 137 BPM | |
 | 4 Short Pieces, H. 104: No. 2, Spring Song (Arr. Parkin for Cello and String Quartet) | Frank Bridge, Sheku Kanneh-Mason, The Heath Quartet | G Major | 0 | 9B | 52 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | |
 | Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | |
 | Rhapsody In Blue | George Gershwin, Benjamin Grosvenor, Royal Liverpool Philharmonic Orchestra, James Judd | A Major | 2 | 11B | 74 BPM | |
 | Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | |
 | Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod. Adagio (Arr. Parkin) | Edward Elgar, Sheku Kanneh-Mason, Ashok Klouda, Caroline Dearnley, Hannah Roberts, Josephine Knight, Ben Davies | B♭ Major | 1 | 6B | 90 BPM | |
 | Warning | Chris Murray | B Minor | 5 | 10A | 162 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records