- BPM
- 133
- Key
- E♭ Major
- Camelot
- 5B
Four Piano Blues: II. For Andor Foldes by Aaron Copland, Mark Anderson Song Details
"Four Piano Blues: II. For Andor Foldes" by Aaron Copland, Mark Anderson had its release date on January 1, 1999. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Four Piano Blues: II. For Andor Foldes's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 22 in Copland & Gershwin: Piano Music by Mark Anderson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Four Piano Blues: II. For Andor Foldes's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Four Piano Blues: II. For Andor Foldes by Aaron Copland, Mark Anderson is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Music Key
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -22.097 dB
- Acousticness
- 99%
- Danceability
- 38%
- Energy
- 3%
- Instrumentalness
- 94%
- Liveness
- 10%
- Loudness
- 63%
- Speechiness
- 3%
- Valence
- 8%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | St. Paul's Suite, Op. 29 No. 2: IV. Finale, "the Dargason" | Gustav Holst, English Sinfonia, Howard Griffiths | D♭ Major | 0 | 3B | 66 BPM | |
 | English Suite: Jaunt | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | C Major | 2 | 8B | 125 BPM | |
 | Slovak Suite, Op. 32: I. In the Church. Andante | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | G Major | 1 | 9B | 73 BPM | |
 | Symphony No. 1, Op. 9: I. Allegro ma non troppo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | D♭ Major | 0 | 3B | 106 BPM | |
 | Adams: Grand Pianola Music: On the Dominant Divide | John Adams, London Sinfonietta | E♭ Major | 2 | 5B | 84 BPM | |
 | Symphony No. 1 in E Minor: II. Largo, maestoso | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A Major | 0 | 11B | 70 BPM | |
 | The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | |
 | Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | |
 | Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | |
 | Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | |
 | Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | |
| Pines Of Rome | Chicago Symphony Orchestra | F Major | 2 | 7B | 80 BPM | |
 | The Banks of Green Willow | George Butterworth, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 0 | 8A | 71 BPM | |
 | Symphony No. 4 in D Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | B♭ Major | 0 | 6B | 69 BPM | |
 | Adams: Short Ride in a Fast Machine | John Adams, San Francisco Symphony, Michael Tilson Thomas | E Minor | 6 | 9A | 130 BPM | |
 | Fanfare for the Common Man | Aaron Copland, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | C Major | 4 | 8B | 130 BPM | |
 | Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | |
 | Piano Concerto in F Major: III. Allegro agitato | George Gershwin, Orion Weiss, Buffalo Philharmonic Orchestra, Joann Falletta | A♭ Major | 2 | 4B | 87 BPM | |
 | Appalachian Spring - 1945 Suite: 8. Moderato: Coda | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | C Major | 0 | 8B | 74 BPM | |
 | Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 102 BPM | |
| A Fugal Concerto, Op. 40, No. 2: I. Moderato | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 2 | 10B | 105 BPM | |
 | Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | |
 | Ye Banks And Braes O' Bonnie Doon | Percy Grainger, Slovak Radio Symphony Orchestra | F Major | 1 | 7B | 78 BPM | |
 | Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM |
- ISRC
- GBAJU9800096
- Label
- L-M Records/RCA Records