"Streichquartett Nr. 4: Still Life" by Ned Rorem, Emerson String Quartet had its release date on January 1, 1998. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Emerson String Quartet, Edgar Meyer's "Meyer: Quintet . Rorem: Quartet No.4 - Emerson String Quartet" album is number 8 out of 14. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Streichquartett Nr. 4: Still Life is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Streichquartett Nr. 4: Still Life by Ned Rorem, Emerson String Quartet to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | A♭ Major | 0 | 4B | 96 BPM | ||
| Webern - Langsamer Satz, M.78 | Anton Webern, Borodin Quartet | E♭ Major | 2 | 5B | 92 BPM | ||
| Our Town, Act I: "Why, Hello, George Gibbs" | Ned Rorem, Glorivy Arroyo, Margot Rood, Brendan Buckley, Stefan Barner, Jonas Budris, Jason Connell, Angela Gooch, Matthew DiBattista, Gil Rose | C Major | 3 | 8B | 93 BPM | ||
| Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | E Minor | 0 | 9A | 72 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | A♭ Major | 0 | 4B | 96 BPM | ||
| Cradle Song in F Major, H. 96 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Minor | 0 | 6A | 69 BPM | ||
| 24 Preludes & Fugues, Op. 87: Fugue no.1 in C major. Moderato (4-voice) | Dmitri Shostakovich, Alexander Melnikov | A Minor | 0 | 8A | 73 BPM | ||
| Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 111 BPM | ||
| Tre Pezzi: 1. Recercar super LA-FA-SOL-LA-RE (Transcription By Bruno Maderna) | Girolamo Frescobaldi, Orchestra della Svizzera Italiana, Dennis Russell Davies | A Minor | 1 | 8A | 140 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | ||
| Janacek: The Diary of One Who Disappeared, JW V/12: No. 13, Andante "Intermezzo erotico" | Leoš Janáček, Ian Bostridge/Ruby Philogene/Thomas Adès | E Major | 0 | 12B | 170 BPM | ||
| Ravel: Valses nobles et sentimentales, M. 61: No. 2, Assez lent, avec une expression intense | Maurice Ravel, Michel Plasson, Orchestre Du Capitole De Toulouse | G Minor | 0 | 6A | 74 BPM | ||
| Schumann: Romanzen, Op. 94: II. Einfach, innig | Robert Schumann, Anneleen Lenaerts, Dionysis Grammenos | A Major | 0 | 11B | 114 BPM | ||
| Serenade for Tenor, Horn and Strings, Op. 31: II. Pastoral | Benjamin Britten, Aldeburgh Strings, Markus Däunert, Richard Watkins, Allan Clayton | E♭ Minor | 0 | 2A | 130 BPM | ||
| Vocalise, Op. 34, No.14 | Sergei Rachmaninoff, Tomás Jerez, Manuel Corbacho | F Major | 2 | 7B | 133 BPM | ||
| 18 Miniatures for Violin & Piano: No. 18, Dolce | Giya Kancheli, Elisaveta Blumina, Hartmut Schill | N/A | N/A | N/A | 0 BPM | ||
| Dances: No. 2, Passacaglia | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | A♭ Major | 0 | 4B | 96 BPM | ||
| Sibelius: Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund | G Minor | 8 | 6A | 170 BPM | ||
| Blumenleben, Op. 19: No. 2, Veilchen | Dora Pejačević, Natasa Veljkovic | B♭ Major | 0 | 6B | 171 BPM | ||
| 5 Preludes: No. 4, Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 76 BPM | ||
| Der Bote | Valentin Silvestrov, Alexei Lubimov | C Minor | 0 | 5A | 70 BPM | ||
| Hannikainen : Five Piano Pieces Op.20 : I Syyssateita [Autumn Rain] | Ilmari Hannikainen, Izumi Tateno | E Minor | 0 | 9A | 89 BPM | ||
| Early in the Morning | Ned Rorem | B♭ Major | 1 | 6B | 90 BPM | ||
| Three Bach Transcriptions: Chorale "Agnus Dei" from Mass in B Minor | Johann Sebastian Bach, Simone Dinnerstein | C Major | 0 | 8B | 138 BPM | ||
| Symphony No. 3: Passacaglia | Bournemouth Symphony Orchestra, Ned Rorem | D Minor | 1 | 7A | 111 BPM |